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Crafting Textiles in the Digital Age

Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Crafting Textiles in the Digital Age explores the intersection of traditional textile craft and contemporary digital technologies. It presents essays that discuss the balance practitioners seek between hands-on material work and innovative digital processes, highlighting the aesthetic opportunities this blend creates. The book also addresses pressing issues such as sustainability, globalisation, and economic factors influencing textile design and production today.
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Format: Paperback / softback
$5499
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

Ideal for designers, textile practitioners, researchers, and students interested in the convergence of traditional craft skills and digital innovation within the arts and culture sector.

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Crafting Textiles in the Digital Age explores the relationship between traditional craft and new digital technology in contemporary textile practice, covering everything from digital embroidery to jacquard weaving, digital print and rapid prototyping.

Crafting Textiles in the Digital Age explores the relationship between traditional craft and new digital technology in contemporary textile practice, covering everything from digital embroidery to jacquard weaving, digital print and rapid prototyping.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

In an era of increasingly available digital resources, many textile designers and makers find themselves at an interesting juncture between traditional craft processes and newer digital technologies. Highly specialised craft/design practitioners may now elect to make use of digital processes in their work, but often choose not to abandon craft skills fundamental to their practice. They aim to balance the complex connection between craft and digital processes.

The essays collected in Crafting Textiles in the Digital Age consider this transition from the viewpoint of aesthetic opportunity arising in the textile designer’s hands-on experimentation with material and digital technologies available in the present.

Craft provides the foundations for thinking within the design and production of textiles, and as such may provide some clues in the transition to creative and thoughtful use of current and future digital technologies. Within the framework of current challenges relating to sustainable development, globalisation, and economic constraints, it is important to interrogate and question how we might go about using established and emerging technologies in textiles in a positive manner.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Praised as a timely and insightful resource, this collection engages with the evolving role of craft in digital textile creation from multiple perspectives including aesthetic, social, and environmental. Experts commend the book for clearly defining digital craft and showcasing pioneering approaches that expand the boundaries of textile making. It is regarded as an invaluable reference for researchers, designers, and makers in the field.

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Book Details

INFORMATION

ISBN: 9781350185609

Publisher: Bloomsbury Publishing PLC

Format: Paperback / softback

Date Published: 25 June 2020

Country: United Kingdom

Imprint: Bloomsbury Visual Arts

Illustration: 54 bw and 23 colour illus

Contributors:

  • Edited by Nithikul Nimkulrat
  • Edited by Faith Kane
  • Edited by Kerry Walton

Audience: Tertiary education, Professional and scholarly

DIMENSIONS

Spine width: 14.0mm

Width: 168.0mm

Height: 242.0mm

Weight: 500g

Pages: 240

About the Author

Nithikul Nimkulrat is the Professor and Head of Department of Textile Design at the Estonian Academy of Art, Estonia.

Faith Kane is Associate Professor and Major Co-ordinator of Textiles in the School of Design, at the College of Creative Arts, Massey University, New Zealand.

Kerry Walton is Programme Director for Textiles: Innovation and Design at the School of the Arts, Loughborough University, UK.

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