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Citizen Kane

The Complete Screenplay
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Citizen Kane is the complete screenplay of Orson Welles's groundbreaking and controversial film, famed as one of Hollywood's most significant movies. The story explores the dramatic making of the film, the controversies surrounding its subject matter, and the fierce efforts by powerful interests to suppress it. Accompanied by Pauline Kael's insightful essay "Raising Kane," which delves into the complex authorship disputes, this book offers a definitive chronicle of the film's creation, enriched with stills and frame enlargements.
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Format: Paperback / softback
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This companion book appeals primarily to cinephiles, students of film history, and fans of Orson Welles, offering an essential resource for those interested in the art and politics of filmmaking.

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A companion to "Citizen Kane" - the film that was designed to shock - this text opens with an essay evaluating the making of the film. The original screenplay follows, illustrated with 40 stills and frame enlargements, together with notes on the difference between the script and the film.

A companion to "Citizen Kane" - the film that was designed to shock - this text opens with an essay evaluating the making of the film. The original screenplay follows, illustrated with 40 stills and frame enlargements, together with notes on the difference between the script and the film.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

The complete screenplay of one of the world's most famous and controversial films.

A definitive chronicle of the making of the film - Sheridan Morley, Films & Filming

This is the complete companion to Citizen Kane - the film that was "designed to shock" (Kenneth Tynan) - one of the best-loved and best-known movies in the history of Hollywood and still the most staggering film debut ever.

Not only was this Orson Welles's first film as actor and director, but most of the cast were also new to the cinema. Yet, so controversial was the subject matter that an $842,000 bribe and the concentrated wrath of the Hearst newspaper empire combined in an attempt to strangle its distribution. The authorship of the film is still a subject of conflict.

Pauline Kael's long essay, "Raising Kane", dissects a maze of Hollywood lore to re-evaluate these and many other fascinating stories about the making of this remarkable film. Her account is followed by the original screenplay, illustrated with stills and frame enlargements.

Citizen Kane revolutionised film-making, and the question of its authorship is as important to the cinema as that of Hamlet to the theatre. Pauline Kael explains how the picture came to be made and concludes that the man most responsible for its creation was not Welles but Herman J. Mankiewicz. - Kenneth Tynan, Observer

Series: Screen and Cinema

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  • Citizen Kane
    The complete screenplay of one of the world's most famous and controversial films. A definitive chronicle of the making of the film - Sheridan Morley, Films & Filming This is the complete companion to Citizen Kane - the film that was "designed to shock" (Kenneth Tynan) - one of the best-loved and best-known movies in the history of Hollywood and...
    Paperback
    $3699
    Available
    Ships in 4-6 weeks

Book Details

INFORMATION

ISBN: 9780413771872

Publisher: Bloomsbury Publishing PLC

Format: Paperback / softback

Date Published: 09 May 2002

Country: United Kingdom

Imprint: Methuen Drama

Edition: New edition

Audience: General / adult, Tertiary education

DIMENSIONS

Spine width: 19.0mm

Width: 124.0mm

Height: 202.0mm

Weight: 356g

Pages: 320

About the Author

Orson Welles (1915-85) was a US director, actor, writer, and producer. Welles made his acting debut at the age of 16 in Jew SΓΌss (1931) at Dublin's Gate Theatre, after falsely telling the management that he was a member of the Theatre Guild. He subsequently toured in plays by Shakespeare and Shaw before collaborating with John Houseman (1902-88) on the Federal Theatre Project. As part of the Project he directed a successful Macbeth (1936) with a Black cast at Harlem's Lafayette Theatre. In 1937, when they devised a controversial 'labour opera' The Cradle Will Rock, Project officials closed the theatre two hours before the curtain was due to go up. Welles and Houseman simply moved the audience to another theatre and performed without scenery. That same year the two men opened their renowned Mercury Theatre with an anti-fascist interpretation of Julius Caesar in modern dress, featuring Welles as Brutus. In 1938 the Mercury's radio version of H. G. Wells's The War of the Worlds caused panic among listeners, who thought that Martians were genuinely invading New Jersey. In 1940 Welles took several of the Mercury players to Hollywood, where he wrote, produced, directed, and starred in the film classic Citizen Kane (1941). After a decade in Hollywood, Welles returned to the theatre in 1951, making his London debut in the title role of Othello; in 1955 he played Ahab in Moby Dick with "a voice of bottled thunder" (in the words of Kenneth Tynan). He designed and directed a production of Ionesco's Rhinoceros at the Royal Court Theatre, London, in 1960. Welles, as a true showman, was never at a loss on stage. When his false nose fell off during Moby Dick, he kicked the putty appendage straight into the stalls. In 1956, when he broke one ankle and sprained the other playing King Lear in New York, he disguised a wheelchair as a throne and rolled through the part.

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