Christian Marclay
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Christian Marclay
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Comic books and mangas are the source material for Marclay's most recent works, whose listening experience yet again opens up new dimensions. The extensive monograph not only does justice to the entire spectrum of the artist's multimedia and synaesthetic oeuvre; it also brings previously little known works home to our eyes and our ears.
Listening with one's eyes, seeing with one's ears
When his twenty-four-hour film The Clock was awarded the Golden Lion at the fifty-fourth Venice Biennale in 2011, his hour had struck. Yet as an artist, performer, and pioneer of turntablism, the Swiss-American Christian Marclay (*1955) has been famous for his complex oeuvre for more than thirty years.
Since then, he has translated sounds and music into visible forms in his performances, installations, collages, sculptures, and photographs, revealing sensory experiences in them that his viewers had never dared to experience. Comic books and mangas are the source material for Marclay's most recent works, whose listening experience yet again opens up new dimensions.
The extensive monograph not only does justice to the entire spectrum of the artist's multimedia and synaesthetic oeuvre; it also brings previously little known works home to our eyes and our ears.
Exhibition: Aargauer Kunsthaus, Aarau, 30.8.2015 - 15.11.2015
Book Details
INFORMATION
ISBN: 9783775740418
Publisher: Hatje Cantz
Format: Hardback
Date Published: 02 September 2015
Country: Germany
Imprint: Hatje Cantz
Contributors:
- Text by Gilda Williams
- Edited by Madeleine Schuppli und Aargauer Kunsthaus, Aarau
- Text by Allen S. Weiss
Audience: General / adult
DIMENSIONS
Width: 210.0mm
Height: 280.0mm
Weight: 1030g
Pages: 176
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About the Author
Gilda Williams is a contemporary art critic, editor and teacher. She is a lecturer on the MFA in Curating programme, Goldsmiths College, and Sothebyโs Institute of Art. She is London correspondent for Artforum magazine and a member of the International Association of Art Critics.
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