Catullus. Tibullus. Pervigilium Veneris
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Catullus. Tibullus. Pervigilium Veneris
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Catullus (84 54BCE) couples consummate poetic artistry with intensity of feeling. Tibullus (c. 54 19 BCE) proclaims love for Delia and Nemesis in elegy. The beautiful verse of the Pervigilium Veneris (fourth century CE?) celebrates a spring festival in honour of the goddess of love.
Catullus (Gaius Valerius, 84β54 BCE), of Verona, went early to Rome, where he associated not only with other literary men from Cisalpine Gaul but also with Cicero and Hortensius. His surviving poems consist of nearly sixty short lyrics, eight longer poems in various metres, and almost fifty epigrams. All exemplify a strict technique of studied composition inherited from early Greek lyric and the poets of Alexandria. In his work, we can trace his unhappy love for a woman he calls Lesbia, the death of his brother, his visits to Bithynia, and his emotional friendships and enmities at Rome. For consummate poetic artistry coupled with the intensity of feeling, Catullus's poems have no rival in Latin literature.
Tibullus (Albius, ca. 54β19 BCE), of equestrian rank and a friend of Horace, enjoyed the patronage of Marcus Valerius Messalla Corvinus, whom he several times apostrophizes. Three books of elegies have come down to us under his name, of which only the first two are authentic. Book 1 mostly proclaims his love for "Delia," Book 2 his passion for "Nemesis." The third book consists of a miscellany of poems from the archives of Messalla; it is very doubtful whether any come from the pen of Tibullus himself. However, a special interest attaches to a group of them which concern a girl called Sulpicia: some of the poems are written by her lover Cerinthus, while others purport to be her own composition.
Pervigilium Veneris, a poem of not quite a hundred lines celebrating a spring festival in honour of the goddess of love, is remarkable both for its beauty and as the first clear note of romanticism which transformed classical into medieval literature. The manuscripts give no clue to its author, but recent scholarship has made a strong case for attributing it to the early fourth-century poet Tiberianus.
Series: Loeb Classical Library
View allBook Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Michael Roberts commends the work as "an authoritative and up-to-date text" offering a translation that "communicates accurately and clearly the meaning of the Latin."
Book Details
INFORMATION
ISBN: 9780674990074
Publisher: Harvard University Press
Format: Hardback
Date Published: 01 January 1913
Country: United States
Imprint: Harvard University Press
Illustration: Indexes
Contributors:
- Translated by F. W. Cornish
- Translated by J. P. Postgate
- Revised by G. P. Goold
- Translated by F. W. Cornish
- Translated by J. P. Postgate
- Translated by J. W. Mackail
- Revised by G. P. Goold
- Translated by F. W. Cornish
- Translated by J. P. Postgate
- Translated by J. W. Mackail
- Revised by G. P. Goold
Audience: Tertiary education, Professional and scholarly
DIMENSIONS
Spine width: 23.0mm
Width: 108.0mm
Height: 162.0mm
Weight: 318g
Pages: 400
About the Author
Francis Warre Cornish (1839β1916) was a Master and Vice-Provost of Eton College. John Percival Postgate, FBA (1853β1926) was Professor of Latin at the University of Liverpool. John William Mackail, OM (1859β1945) was a Scottish man of letters and President of the British Academy. G. P. Goold was William Lampson Professor of Latin Language and Literature at Yale University, and General Editor of the Loeb Classical Library (1974β1999).
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