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Bruce Springsteen's Born in the USA

Series: 33 1/3
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( 359 ratings, 56 reviews)
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
When Bruce Springsteen returned to touring in 1984, he opened every show with a commanding shout and the iconic synth intro of "Born in the U.S.A." The performance captured the song's gritty narrative and emotional depth, revealing a man standing defiantly against his struggles. From the desperate opening lines to the powerful marching riffs, Springsteen embodied the spirit of the song and the era.
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Format: Paperback / softback
$2199
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

Ideal for fans of Bruce Springsteen, music historians, and those interested in the creative process behind iconic albums in arts and culture.

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Bruce Springsteen goes back on the road in 1984. Weinberg hits his drums with a two-fisted physicality that cut through the swelling chords. Springsteen sings with the throat-scraping desperation of a man with his back against the wall. When he reaches the crucial lines, the guitars and bass dropped out and Weinberg switches to just the hi-hat.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

When Bruce Springsteen went back on the road in 1984, he opened every show by shouting out, "one, two, one, two, three, four," followed by the droning synth chords of Born in the USA. Max Weinberg hit his drums with a two-fisted physicality that cut through the swelling chords. With a rolled-up red kerchief around his head and heavy black boots under his faded jeans, Springsteen looked like the character of the song, and from the very first line ("Born down in a dead man's town") he sang with the throat-scraping desperation of a man with his back against the wall.

When he reached the crucial lines, though, the guitars and bass dropped out and Weinberg switched to just the hi-hat. Springsteen's voice grew a bit more private and reluctant as he sang, "Nowhere to run. Nowhere to go." It was as if he weren't sure if this were an admission of defeat or the drawing of a line in the sand. But when the band came crashing back at full strengthβ€”building a crescendo that fell apart in the cacophony of Springsteen's and Weinberg's wild soloing, paused and then came together again in the determined, marching riffβ€”it was clear that the singer was ready to make a stand.

Series: 33 1/3

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Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Alt.Culture.Guide praises Geoffrey Himes for illuminating Springsteen's self-doubt and creative process during the making of Born in the U.S.A. This book offers invaluable insight into the artist's mindset and songwriting, setting a high benchmark for music journalism and fans alike.

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Book Details

INFORMATION

ISBN: 9780826416612

Publisher: Bloomsbury Publishing PLC

Format: Paperback / softback

Date Published: 15 November 2005

Country: United Kingdom

Imprint: Continuum International Publishing Group Ltd.

Audience: General / adult

DIMENSIONS

Width: 121.0mm

Height: 165.0mm

Weight: 142g

Pages: 160

About the Author

Geoffrey Himes has written about music on a weekly basis in the Washington Post since 1977. During that time he has also written about pop music for Rolling Stone, Paste, the New York Times, Jazz Times, the Nashville Scene, the Oxford American and other outlets. He won ASCAP/Deems Taylor Awards for Music Feature Writing in 2002 and 2005. His stage musical, "A Baltimore Christmas Carol," was produced in 2005, and his songs have been recorded by Edge City, Billy Kemp and the Kinsey Report.

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