Boris Lurie and Wolf Vostell (Bilingual edition)
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The art of Boris Lurie ( 1924, Leningrad) and Wolf Vostell ( 1932, Leverkusen) is determined by the break in civilisation in Germany in 1933, which made the German genocide of German and European Jews (the Shoah) possible. Both artists make the Shoah the subject of their work in a radical way.
They work—initially independently of one another—with the means of painting, and during the 1950s they resort to the stylistic devices of the first avant-garde: Cubism, Dadaism, Surrealism. They strategically employ collage and assembly techniques.
Vostell later develops the subject further in the media of happening and video art while Lurie takes up writing. In 1964, the artists met in New York and entertained a lifelong friendship.
Discover more in the bilingual edition of Boris Lurie and Wolf Vostell.
Book Details
INFORMATION
ISBN: 9783775752169
Publisher: Hatje Cantz
Format: Paperback / softback
Date Published: 12 May 2022
Country: Germany
Imprint: Hatje Cantz
Illustration: 300 Illustrations
Contributors:
- Text by Beate Reifenscheid
- Text by Rudij Bergmann
- Edited by Daniel Koep
- Text by Tom Freudenheim
- Text by Gertrude Stein
- Text by Daniel Koep
- Text by Dorothea Schöne
- Text by Bram Groenteman
- Text by Eckhart J. Gillen
Audience: General / adult
DIMENSIONS
Width: 240.0mm
Height: 280.0mm
Weight: 1620g
Pages: 336
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About the Author
After surviving several labor and concentration camps, the Jewish artist BORIS LURIE (1924-2008) moved to New York in 1946. With often direct reference to the Shoah, Lurie commented on the society and consumer culture of his time.
The German artist WOLF VOSTELL (1932-1988) was a protagonist of the Fluxus movement and a pioneer of happening- and video art. Vostell confronted post-war European audiences with its recent past in a variety of ways.
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