Bacon
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A concise and gripping encounter with Francis Bacon, one of the most individual, powerful, and disturbing painters of the 20th century. Emerging into notoriety in the period following World War II, Bacon developed a unique figurative form, distorted, dismembered, and writhing with intense emotional content.
About the Series: Each book in TASCHEN's Basic Art series features: A detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance. A concise biography. Approximately 100 illustrations with explanatory captions.
Largely self-taught as an artist, Francis Bacon (1909-1992) developed a unique ability to transform interior and unconscious impulses into figurative forms and intensely claustrophobic compositions.
Emerging into notoriety in the period following World War II, Bacon took the human body as his nominal subject, but a subject ravaged, distorted, and dismembered so as to writhe with intense emotional content. With flailing limbs, hollow voids, and tumorous growths, his gripping, often grotesque, portraits are as much reflections on the trials and the traumas of the human condition as they are character studies. These haunting forms were also among the first in art history to depict overtly homosexual themes.
Bacon by Luigi Ficacci explores the life and work of this provocative artist, offering insights into his influences and the impact of his creations on contemporary art and culture.
Series: Basic Art
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INFORMATION
ISBN: 9783836559690
Publisher: Taschen GmbH
Format: Hardback
Date Published: 31 July 2015
Country: Germany
Imprint: Taschen GmbH
Audience: General / adult
DIMENSIONS
Spine width: 14.0mm
Width: 210.0mm
Height: 260.0mm
Weight: 573g
Pages: 96
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About the Author
Luigi Ficacci studied art history in Rome under Giulio Carlo Argan. For many years, he was curator at the Istituto Nazionale per la Grafica in Rome and general museum director (Soprintendente ai Beni Culturali) in Bologna and in Lucca. He also lectured at various Italian universities. Until 2021, he was director of the Central Institute for Restoration (Istituto centrale per il restauro) in Rome. The focal points of his research work are the issues raised by 17th and 18th century and contemporary Italian and European art.
Also by Luigi Ficacci
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