At the Movies, Film Reviewing, and Screenwriting
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At the Movies, Film Reviewing, and Screenwriting
Analyses film reviewing as a form of cultural mediation of taste and narrative expectations, drawing on the work of influential sociologist Pierre Bourdieu. It studies one of Australiaโs most famous review programs to analyse the under-explored cultural dynamics and affinities surrounding film reviewing as a form of media practice. 20 illus.
Unpacking a decade of Australia's most famous TV reviewing programme to reveal how film reviewing mediates cultural taste and cinematic storytelling.
At the Movies, Film Reviewing, and Screenwriting discusses the interplay between film criticism and screenwriting, providing a different view on how reviewers engage with story and dialogue. Steven Maras draws on Pierre Bourdieu's theories of cultural taste to examine film reviewing as a key site of cultural production, analysing ten years of television scripts from At the Movies (2004โ2014). Hosted by Australia's most influential film critics Margaret Pomeranz and David Stratton, this long-running programme shaped public discourse on cinema and left an indelible mark on Australian screen culture.
Studying the programme's broadcast scripts, this book addresses how film reviewing operates as both critique and storytelling. Of particular interest to media scholars, screenwriting researchers, and cinephiles alike, it provides fresh insights into the evolving role of criticism in contemporary screen culture. Engaging and deeply researched, this work rightfully emphasises the cultural significance of movie criticism in film culture in Australia and beyond.
Book Details
INFORMATION
ISBN: 9781835951163
Publisher: Intellect
Format: Hardback
Date Published: 08 August 2025
Country: United Kingdom
Imprint: Intellect Books
Illustration: 19 Tables, black and white; 1 Halftones, black and white
Audience: Professional and scholarly
DIMENSIONS
Spine width: 17.0mm
Width: 170.0mm
Height: 244.0mm
Weight: 651g
Pages: 280
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About the Author
Steven Maras is Associate Professor of Media and Communication at the University of Western Australia. He is author of Screenwriting: History, Theory and Practice (Wallflower, 2009) and editor of Ethics in Screenwriting: New Perspectives (Palgrave, 2016). He also co-edits the Palgrave Studies in Screenwriting book series.
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