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Artemisia Gentileschi around 1622

The Shaping and Reshaping of an Artistic Identity
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( 32 ratings, 1 reviews)
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Mary D. Garrard continues her in-depth study of the seventeenth-century artist Artemisia Gentileschi by investigating two of her lesser-known paintings, the Seville Mary Magdalene and the Burghley House Susanna and the Elders, dated around 1621-22. Through these case studies, Garrard explores how identity, gender, and market pressures intertwine within Gentileschi's work and the art criticism it has inspired.
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Format: Paperback / softback
$9499
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is ideal for readers interested in Baroque art, feminist art history, and those seeking a deeper understanding of Artemisia Gentileschi's work and legacy.

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Taking as case studies two paintings of circa 1621-22 attributed to Artemisia, this text examines the ways that identity, gender and market pressures interact both in the artist's work and in the criticism and conoisseurship that have surrounded it.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Mary D. Garrard, author of the acclaimed Artemisia Gentileschi, furthers her study of the seventeenth-century artist in this ground-breaking investigation of two little-known paintings. Taking as case studies the Seville Mary Magdalene and the Burghley House Susanna and the Elders, paintings of circa 1621-22 attributed to Artemisia, Garrard examines the ways that identity, gender, and market pressures interact both in the artist's work and in the criticism and connoisseurship that have surrounded it.

Series: The Discovery Series

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  • Artemisia Gentileschi around 1622
    Mary D. Garrard, author of the acclaimed Artemisia Gentileschi, furthers her study of the seventeenth-century artist in this ground-breaking investigation of two little-known paintings. Taking as case studies the Seville Mary Magdalene and the Burghley House Susanna and the Elders, paintings of circa 1621-22 attributed to Artemisia, Garrard examines the ways that identity, gender, and market pressures interact both in...
    Paperback
    $9499
    Available
    Ships in 3-4 weeks

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Critics praise Garrard's book for challenging traditional art history perspectives. Irving Lavin highlights how the book reveals Gentileschi's personality through her subjects and style, positioning her as a major visual thinker of her era rather than merely a 'good woman painter.' George Hersey lauds Garrard's work as a brilliant culmination of her efforts to establish Gentileschi's greatness, full of the sharp insight reminiscent of the artist herself.

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Book Details

INFORMATION

ISBN: 9780520228412

Publisher: University of California Press

Format: Paperback / softback

Date Published: 21 February 2001

Country: United States

Imprint: University of California Press

Illustration: 8 color illustrations, 57 b-w photographs

Audience: Professional and scholarly

DIMENSIONS

Spine width: 13.0mm

Width: 178.0mm

Height: 254.0mm

Weight: 544g

Pages: 204

About the Author

Mary D. Garrard is Professor of Art at American University. She is the author of Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art (1989) and coeditor, with Norma Broude, of Feminism and Art History: Questioning the Litany (1982); The Expanding Discourse: Feminism and Art History (1992); and The Power of Feminist Art: The American Movement of the 1970s, History and Impact (1994).

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