Artemisia Gentileschi around 1622
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Artemisia Gentileschi around 1622
Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
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See moreTaking as case studies two paintings of circa 1621-22 attributed to Artemisia, this text examines the ways that identity, gender and market pressures interact both in the artist's work and in the criticism and conoisseurship that have surrounded it.
Mary D. Garrard, author of the acclaimed Artemisia Gentileschi, furthers her study of the seventeenth-century artist in this ground-breaking investigation of two little-known paintings. Taking as case studies the Seville Mary Magdalene and the Burghley House Susanna and the Elders, paintings of circa 1621-22 attributed to Artemisia, Garrard examines the ways that identity, gender, and market pressures interact both in the artist's work and in the criticism and connoisseurship that have surrounded it.
Series: The Discovery Series
View allBook Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Critics praise Garrard's book for challenging traditional art history perspectives. Irving Lavin highlights how the book reveals Gentileschi's personality through her subjects and style, positioning her as a major visual thinker of her era rather than merely a 'good woman painter.' George Hersey lauds Garrard's work as a brilliant culmination of her efforts to establish Gentileschi's greatness, full of the sharp insight reminiscent of the artist herself.
Book Details
INFORMATION
ISBN: 9780520228412
Publisher: University of California Press
Format: Paperback / softback
Date Published: 21 February 2001
Country: United States
Imprint: University of California Press
Illustration: 8 color illustrations, 57 b-w photographs
Audience: Professional and scholarly
DIMENSIONS
Spine width: 13.0mm
Width: 178.0mm
Height: 254.0mm
Weight: 544g
Pages: 204
About the Author
Mary D. Garrard is Professor of Art at American University. She is the author of Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art (1989) and coeditor, with Norma Broude, of Feminism and Art History: Questioning the Litany (1982); The Expanding Discourse: Feminism and Art History (1992); and The Power of Feminist Art: The American Movement of the 1970s, History and Impact (1994).
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