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Art in Theory

The West in the World - An Anthology of Changing Ideas
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Art in Theory: The West in the World is a pioneering anthology examining the evolving relationships between Western art and global art and material culture. Edited by Paul Wood and Leon Wainwright, it offers 370 texts, some newly translated into English, organised across eight chronological sections with thematic structures. The collection highlights shifting Western perspectives and the emergence of dissenting voices challenging colonial and cultural dominance, particularly from the 20th century onwards. This volume emphasises modern globalisation in art within a deep historical context.
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Format: Paperback / softback
$8399
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This anthology is essential reading for students and specialists of art and art history, as well as for those interested in the cultural and political dynamics of the modern world.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

A ground-breaking new anthology in the Art in Theory series, offering an examination of the changing relationships between the West and the wider world in the field of art and material culture.

Art in Theory: The West in the World is a ground-breaking anthology that comprehensively examines the relationship of Western art to the art and material culture of the wider world. Editors Paul Wood and Leon Wainwright have included 370 texts, some of which appear in English for the first time.

The anthologized texts are presented in eight chronological parts, which are then subdivided into key themes appropriate to each historical era. The majority of the texts are representations of changing ideas about the cultures of the world by European artists and intellectuals. However, as the modern period developsβ€”and especially as colonialism is challengedβ€”a variety of dissenting voices begin to claim their space, and a counter-narrative to Western hegemony develops. Over half the book is devoted to 20th and 21st century materials, though the book’s unique selling point is the way it relates the modern globalization of art to much longer cultural histories.

As well as the anthologized material, Art in Theory: The West in the World contains:

  • A general introduction discussing the scope of the collection
  • Introductory essays to each of the eight parts, outlining the main themes in their historical contexts
  • Individual introductions to each text, explaining how they relate to the wider theoretical and political currents of their time

Intended for a wide audience, the book is essential reading for students on courses in art and art history. It will also be useful to specialists in the field of art history and readers with a general interest in the culture and politics of the modern world.

Book Details

INFORMATION

ISBN: 9781444336313

Publisher: John Wiley and Sons Ltd

Format: Paperback / softback

Date Published: 31 December 2020

Country: United Kingdom

Imprint: Wiley-Blackwell

Contributors:

  • Edited by Paul Wood
  • Edited by Leon Wainwright
  • Edited by Charles Harrison
  • Edited by Charles Harrison
  • Edited by Paul Wood
  • Edited by Charles Harrison
  • Edited by Paul Wood

Audience: Professional and scholarly

DIMENSIONS

Spine width: 41.0mm

Width: 178.0mm

Height: 254.0mm

Weight: 1520g

Pages: 1160

About the Author

Paul Wood is Research Associate in the Department of Art History at the Open University. He has published widely in the field of art history and is co-editor of three previous volumes of Art in Theory, recounting the development of Western art from the Academy to postmodernism.

Leon Wainwright is Professor of Art History at the Open University. He is the author of Timed Out: Art and the Transnational Caribbean (2011) and Phenomenal Difference: A Philosophy of Black British Art (2017). He has co-edited studies on modern and contemporary art, anthropology and museums.

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