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Art History 101... Without the Exams

Looking Closely at Objects from the History of Art
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( 14 ratings, 3 reviews)
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Art History 101... Without the Exams by Annie Montgomery Labatt demystifies art history by focusing on twenty accessible lessons centred on iconic masterpieces from different eras. Starting with prehistoric cave drawings and Greek statues, the journey continues through Gothic, Byzantine, Baroque, Renaissance, and concludes with Impressionist works by Monet and Picasso. The book explores not only the artistic details but also the historical and social contexts, offering readers a fuller understanding of each artist’s intent and cultural significance.
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Format: Paperback / softback
$5799
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is ideal for art enthusiasts and curious readers who find museums intimidating or art history confusing. It suits those seeking an engaging, approachable introduction to key masterpieces and their cultural significance, without the pressure of academic exams.

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A millennia of art history condensed into 20 accessible chapters

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Have you ever found art museums intimidating and art history a baffling mix of periods, names, and styles? Annie Labatt's Art History 101 aims to remove this inaccessibility issue in the art world by breaking the history of art down into twenty accessible lessons, each built around a single, canonical piece considered a masterpiece from its era.

Beginning with prehistoric cave drawings and Greek statues; continuing through the Gothic, Byzantine, Baroque, and the Renaissance movements; and concluding with the Impressionist work of Monet and Picasso, Labatt asks us to consider each work and think about the artist who created it and what they wanted us to see. She frames our understanding of the historical and social context of the piece as well as the background of the artist.

From the tiniest of details to the broadest cultural implications and meanings, Art History 101 helps us see why these works of art are considered masterpieces. In completing the full course, one sees how each piece contributes to a larger portrait - the full narrative of art history through the ages.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Esteemed experts praise the book for its engaging and approachable style. Helen C. Evans, curator at the Metropolitan Museum of Art, highlights Labatt's ability to encourage deeper and broader thinking about art’s meaning across time. Mary Miller, director of the Getty Research Institute, describes it as a fun and enlightening journey into twenty iconic artworks, blending science, history, and cultural context in an accessible way without exams.

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Book Details

INFORMATION

ISBN: 9781595348784

Publisher: Trinity University Press,U.S.

Format: Paperback / softback

Date Published: 20 October 2022

Country: United States

Imprint: Trinity University Press,U.S.

Illustration: approximately 120 color and b/w images throughout

Audience: General / adult

DIMENSIONS

Width: 152.0mm

Height: 203.0mm

Weight: 250g

Pages: 536

About the Author

Annie Montgomery Labatt is Associate Professor of Visual Studies and Director of Galleries and Museums at Sweet Briar College in Virginia. She graduated with High Honors from Barnard College of Columbia University in 2002, and received her PhD from Yale University in 2011. While a graduate student, she won a two-year Rome Prize at the American Academy of Rome, and was also a fellow at Harvard University's Dumbarton Oaks Research Library and Collection. She has worked at the Metropolitan Museum of Art on two major exhibitions, once as a research assistant and once as a Chester Dale Fellow. Laboratory of Images: Emerging Iconographies in 8th- and 9th- Century Rome, her study of the development of Christian imageries, is forthcoming.

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