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Archival Storytelling

A Filmmaker’s Guide to Finding, Using, and Licensing Third-Party Visuals and Music
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( 22 ratings, 2 reviews)
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Archival Storytelling (2nd edition) offers a comprehensive and practical guide on using audiovisual materials, from 19th-century photographs to contemporary media, for filmmakers and scholars. It explains how to research, license, and ethically incorporate third-party images, audio, and music into projects, providing clear definitions of copyright concepts like fair use and public domain. Filled with expert insights, it encourages users to engage actively with archival and copyright issues.
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Format: Hardback
$34100
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is ideal for students, professional filmmakers, documentarians, archivists, and anyone interested in the ethical and effective use of archival media in creative projects.

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Fully revised and updated, Archival Storytelling is a timely, pragmatic look at the use of audiovisual materials available to filmmakers and scholars, from the earliest photographs of the 19th century to the work of media makers today.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Fully revised and updated, Archival Storytelling second edition is a timely, pragmatic look at the use of audiovisual materials available to filmmakers and scholars, from the earliest photographs of the 19th century to the work of media makers today.

Whether you’re a top Hollywood filmmaker or a first-time documentarian, at some point you are going to want to find, use, and license third-party materials—images, audio, or music that you yourself did not create—to use them in your work. This book explains what’s involved in researching and licensing visuals and music, and exactly what media makers need to know when filming in a world crowded with rights-protected images and sounds.

Filled with insights from filmmakers, archivists, and intellectual property experts, this second edition defines key terms such as copyright, fair use, public domain, and orphan works. It guides readers through the complex archival process and challenges them to become not only archival users but also archival and copyright activists.

This book is an essential resource for both students and professionals, from seasoned filmmakers to those creating their first projects, offering practical advice for how to effectively and ethically draw on the wealth of cultural materials that surround us.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

The book is praised as an essential resource for filmmakers and archivists alike. Reviewers commend it as both a practical how-to guide on accessing and clearing rights for archival materials and a thoughtful exploration of the ethical and creative implications of archival use in storytelling. It is noted for its thorough coverage of legal and digital-age challenges, making it the definitive text in its field.

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Book Details

INFORMATION

ISBN: 9781138915046

Publisher: Taylor & Francis Ltd

Format: Hardback

Date Published: 12 May 2020

Country: United Kingdom

Imprint: Routledge

Edition: 2nd edition

Illustration: 1 Line drawings, black and white; 39 Halftones, black and white

Audience: General / adult, Tertiary education

DIMENSIONS

Width: 152.0mm

Height: 229.0mm

Weight: 612g

Pages: 328

About the Author

Sheila Curran Bernard is an Emmy and Peabody Award-winning filmmaker and writer with credits on nearly fifty hours of theatrical and television programming, and the author of Documentary Storytelling, now going into its fifth edition. She is an associate professor in the Department of History at the University at Albany, State University of New York.

Kenn Rabin is a consulting producer for narrative features and documentaries and an internationally-recognized expert on the use of archival materials in film storytelling, with over one hundred credits on projects including Troop Zero (Bert & Bertie), Selma (Ava DuVernay), Milk (Gus Van Sant), and the acclaimed PBS series Eyes on the Prize and Vietnam: A Television History.

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