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Anton van Dalen: Community of Many

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Anton van Dalen: Community of Many traces the celebrated artist's lifelong exploration of themes shaped by war, religion, migration, and nature. Born in the Netherlands in 1938 and having witnessed World War II's horrors, van Dalen later settled in New York's East Village where his art documents the evolving cultural and technological landscape through drawing, sculpture, collage, and painting. This richly illustrated monograph, featuring essays by John Yau and Tiernan Morgan, offers an in-depth look at van Dalen's unique visual language reflecting on humanity's impact on nature and technology.
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Format: Paperback / softback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book appeals to readers interested in contemporary art, cultural history, and visual storytelling, as well as those wishing to explore the intersections of technology, migration, and human experience through artistic expression.

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This heavily illustrated publication is the first comprehensive monograph of Anton van Dalen's work, which provides a language by which to discuss the consequences of human brutality towards nature and our entanglement with technology.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Anton van Dalen: Community of Many chronicles the historic artist Anton van Dalen's lifelong visual investigation informed by the influences of war, religion, and migration, his devotion to nature, and his dedication to documenting the technological and cultural evolutions within our society across a variety of mediums, from drawing and sculpture to collage and painting.

Born in the Netherlands in 1938 to a conservative Calvinist family, Anton witnessed first-hand the terrors of both technological and human destruction during the Second World War. Since he immigrated to New York in 1966 and settled in the East Village, Anton has served as witness, storyteller, and documentarian of the dramatic cultural shifts in the neighbourhood through his masterfully honed and singular iconography.

Featuring critical essays by John Yau and Tiernan Morgan, this heavily illustrated publication is the first comprehensive monograph on Anton van Dalen's work that provides a language by which to discuss the consequences of human brutality towards nature and our entanglement with technology.

Anton has been included in group exhibitions at notable institutions including the Whitney Museum of American Art, New York; New Museum, New York; Contemporary Art Center, Cincinnati; and the New-York Historical Society. He has also been the subject of solo exhibitions at Temple Contemporary, Tyler School of Art and Architecture, Temple University, Philadelphia; University Museum of Contemporary Art, University of Massachusetts, Amherst; and Exit Art, New York.

His Avenue A Cut-Out Theatre has toured since 1995 both nationally and internationally and has been shown at numerous institutions including The Drawing Center, the Museum of Modern Art, and The New-York Historical Society.

Book Details

INFORMATION

ISBN: 9781912165360

Publisher: Black Dog Press

Format: Paperback / softback

Date Published: 26 April 2022

Country: United Kingdom

Imprint: Black Dog Press

Illustration: colour and black & white

Contributors:

  • Contributions by John Yau
  • Contributions by Tiernan Morgan
  • Contributions by Krzysztof Wodiczko

Audience: General / adult

DIMENSIONS

Width: 238.0mm

Height: 317.0mm

Weight: 250g

Pages: 224

About the Author

John Yau has published books of poetry, fiction, and criticism. His latest poetry publications include a book of poems, Further Adventures in Monochrome (Copper Canyon Press, 2012), and the chapbook, Egyptian Sonnets (Rain Taxi, 2012). His most recent monographs are Catherine Murphy (Rizzoli, 2016), the first book on the artist, and Richard Artschwager: Into the Desert (Black Dog Publishing, 2015). He has also written monographs on A. R. Penck, Jasper Johns, and Andy Warhol. In 1999, he started Black Square Editions, a small press devoted to poetry, fiction, translation, and criticism. He was the Arts Editor for the Brooklyn Rail (20072011) before he began writing regularly for Hyperallergic Weekend. He is a Professor of Critical Studies at Mason Gross School of the Arts (Rutgers University). Tiernan Morgan is a writer and art historian based in New York. He currently works for Access Now, a non-profit dedicated to defending and expanding digital rights for internet users around the world.Formerly, Tiernan was the Producer of Hyperallergic, the online publication dedicated to "art and its discontents." His articles have explored critically neglected collectives, the history of the art market, and artist's rights. He regularly collaborates with Lauren Purje on a series of illustrated guides to the art world and works of art theory.Born and raised in London, Tiernan is a graduate of the Courtauld Institute of Art. During his second year, he was elected chairman of the ninth East Wing exhibition, the university's contemporary art biennial.As an official tour guide at Green-Wood Cemetery, Tiernan regularly explores the history, work, and lives of its permanent residents, both onsite and online. Krzysztof Wodiczko is an internationally renowned artist known for large-scale projections on monuments and institutional facades that explore the relationships between communities, history, and public space. The artist has dealt extensively with trauma and healing in his projections, honoring people's stories of pain, loss, and perseverance. Over many years, the projections have evolved from still slides to live and recorded videos utilizing individual's faces, voices, and narratives. Wodiczko is also known for interactive instruments and vehicles that empower marginalized individuals and communities and give light to societal injustices. Born in 1943 in Warsaw, Poland, Wodiczko lives and works in New York City and Cambridge, Massachusetts.

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