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Amerasia

Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Amerasia explores the early modern European imagination, where Asia and the Americas were viewed as a connected continuum. Through maps, texts, objects, and images from 1492 to 1700, the book reveals a world where Mexico was often considered India, North America seen as part of China, and South America linked to biblical and Asian locales. By examining specific cultural artefacts, it challenges traditional Eurocentric views and highlights the fluidity of early global perspectives.
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Format: Hardback
$8499
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is ideal for readers interested in arts, culture, history, cartography, and global interactions from a pre-modern European perspective, as well as scholars engaged with early modern studies and global history.

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"This book explores the many ways in which European artists, writers, and cartographers described and represented an Amerasian continuum in the first two centuries after Columbus"--

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

A connected world as imagined by early modern European artists, mapmakers, and writers, where Asia and the Americas were on a continuum

America and Asia mingled in the geographical and cultural imagination of Europe for well over a century after 1492. Through an array of texts, maps, objects, and images produced between 1492 and 1700, this compelling and revelatory study immerses the reader in a vision of a world where Mexico really was India, North America was an extension of China, and South America was marked by a variety of biblical and Asian sites. It asks, further: What does it mean that the Amerasian worldview predominated at a time when Europe itself was coming into cultural self-definition?

Each of the chapters focuses on a particular artifact, map, image, or book that illuminates aspects of Amerasia from specific European cultural milieus. Amerasia shows how it was possible to inhabit a world where America and Asia were connected either imaginatively when viewed from afar, or in reality when traveling through the newly encountered lands. Readers will learn why early modern maps regularly label Mexico as India, why the "Amazonas" region was named after a race of Asian female warriors, and why artifacts and manuscripts that we now identify as Indian and Chinese are entangled in European collections with what we now label Americana.

Elizabeth Horodowich and Alexander Nagel pose a dynamic model of the world and of Europe's place in it that was eclipsed by the rise of Eurocentric colonialist narratives in the nineteenth and twentieth centuries. To rediscover this history is an essential part of coming to terms with the emergent polyfocal global reality of our own time.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Amerasia is praised as an important scholarly contribution that illuminates how early modern Europe understood the Americas within a larger global context including Asia and Africa. Elizabeth Gansen notes it as a valuable resource that encourages further examination beyond Eurocentric narratives.

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Book Details

INFORMATION

ISBN: 9781942130833

Publisher: Zone Books

Format: Hardback

Date Published: 08 August 2023

Country: United States

Imprint: Zone Books

Audience: Professional and scholarly

DIMENSIONS

Spine width: 15.0mm

Width: 184.0mm

Height: 279.0mm

Weight: 666g

Pages: 464

About the Author

Elizabeth Horodowich is Professor of History at New Mexico State University and the author of Language and Statecraft in Early Modern Venice and The Venetian Discovery of America: Geographic Imagination and Print Culture in the Age of Encounters. Alexander Nagel is Craig Hugh Smyth Professor of Fine Arts at the Institute of Fine Arts, New York University, author of The Controversy of Renaissance Art and Michelangelo and the Reform of Art, and coauthor of Anachronic Renaissance.

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