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Affect, Architecture, and Practice

Toward a Disruptive Temporality of Practice
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Affect, Architecture, and Practice explores the intersection of affect theory and architectural design, a dynamic rarely addressed in architectural studies. Akari Nakai Kidd investigates how affect emerges not just in architectural spaces but within the creative uncertainties of design processes. Through a series of conversations focused on leading firmsβ€”Reiser + Umemoto in the USA, Kerstin Thompson Architects in Australia, and Shigeru Ban Architects in Japanβ€”the book reveals how affect influences image-making, design development, and the crafting of everyday materials.

This work challenges traditional notions of practice by highlighting the liminal and often overlooked non-human dimensions of architecture, contributing both to architectural theory and broader theories of affect across disciplines like geography and media studies.
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This book is suitable for readers interested in architectural theory, cultural studies, and the philosophical dimensions of design. It will particularly appeal to architects, scholars, and students seeking a critical understanding of affect within creative practice.

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Affect, Architecture and Practice, builds on and contributes to work in theories of affect that has risen within diverse disciplines, including geography, cultural studies, and media studies, challenging the nature of textual and representational-based research.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Affect, Architecture, and Practice builds on and contributes to work in theories of affect that have risen within diverse disciplines, including geography, cultural studies, and media studies, challenging the nature of textual and representational-based research. Although numerous studies have examined how affect emerges in architectural spaces, little attention has been paid to the creative process of architectural design and the role that affect plays in the many contingencies and uncertainties that arise in the process.

The book traces the critical, philosophic, and architectural theories to examine how affect, architecture, and practice are interlinked. Through a series of conversations and reflections, it examines three key contemporary architects, their practices and projects, all within a single coherent theme. Reiser + Umemoto (RUR Architecture DPC), USA, Kerstin Thompson Architects, Australia, and Shigeru Ban Architects, Japan, are critically studied through the lens of different aspects of practice, namely image-making, the design process, and the making of an everyday object/material.

Through this investigation, author Akari Nakai Kidd demonstrates how affect theory allows a critical interrogation of the in-betweens of practice, its liminality and limits. It questions the stability of objects, the smooth temporality of practice, and its often under-conceptualised non-human dimensions. More significantly, the book demonstrates architectural practice’s contribution to the reconceptualisation of theories of affect.

Series: Routledge Research in Architecture

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Book Details

INFORMATION

ISBN: 9781032005652

Publisher: Taylor & Francis Ltd

Format: Paperback / softback

Date Published: 09 January 2023

Country: United Kingdom

Imprint: Routledge

Illustration: 8 Line drawings, black and white; 7 Halftones, black and white; 15 Illustrations, black and white

Audience: Tertiary education

DIMENSIONS

Width: 156.0mm

Height: 234.0mm

Weight: 340g

Pages: 196

About the Author

Akari Nakai Kidd is an academic and scholar in architectural design and architectural theory and criticism at Deakin University, Australia. Her work is interdisciplinary and crosses the fields of architecture, critical theory, and philosophy. Her current research explores the in-betweens of architectural practice, specifically the creative processes of design through the lens of affect theory. She seeks to use affect as a theoretical tool to interrogate the stability of objects, the smooth temporality of practice, and its often under-conceptualised post- or non-human dimensions.

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