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A History of Russian Exposition and Festival Architecture

1700-2014
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
This book presents thirteen detailed vignettes exploring key moments in the history of Russian temporary architecture and public art, spanning from Peter the Great's royal festivals to contemporary structures such as those for the Sochi Winter Olympics. Each project, though different in design and context, illustrates how architecture has played a vital role in shaping Russia's national identity and its complex perception of the West as both adversary and model. Through these accounts, the book reveals the intricate interplay between diplomacy, propaganda, and architectural creation.
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Format: Hardback
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Ideal for readers interested in arts and culture, architectural history, Russian history, and the role of public art in national identity. Suitable for scholars, students, and enthusiasts of cultural and political influences on architecture.

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This book is a collection of essays that address episodes in the history of Russian exposition architecture. It offers a history of relationships between diplomacy, propaganda, and architecture.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

This collection of thirteen vignettes addresses several important episodes in the history of Russian temporary architecture and public art, from the royal festivals during the times of Peter the Great up to the recent venues including the Sochi Winter Olympics.

The forms and the circumstances of their design were drastically different; however, the projects discussed in A History of Russian Exposition and Festival Architecture share a common feature: they have been instrumental in the construction of Russia’s national identity, with its perception of the Westβ€”simultaneously, a foe and a paragonβ€”looming high over this process.

The book offers a history of multidirectional relationships between diplomacy, propaganda, and architecture.

Series: Routledge Research in Architecture

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Book Details

INFORMATION

ISBN: 9781138207554

Publisher: Taylor & Francis Ltd

Format: Hardback

Date Published: 04 September 2018

Country: United Kingdom

Imprint: Routledge

Illustration: 2 Line drawings, black and white; 70 Halftones, black and white; 72 Illustrations, black and white

Contributors:

  • Edited by Alla Aronova
  • Edited by Alexander Ortenberg

Audience: Tertiary education

DIMENSIONS

Width: 156.0mm

Height: 234.0mm

Weight: 730g

Pages: 328

About the Author

Alla Aronova is a Senior Research Fellow at the Department of Modern and Contemporary Art, State Institute of Arts, Moscow, Russia. She earned her Master of Architecture with specialization in restoration and historic preservation from the Moscow Architectural Institute in 1980, and her PhD from the State Institute of Art Criticism, Moscow, in 1993. Alla Aronova's research interests are directed towards Russian art and architecture in the end of the 17th and the 18th centuries, with special focus on the history of Westernization of Russia under Peter the Great and his immediate successors. She is a leading expert on the subject of Russian festivals and festival architecture, has published a large number of articles in major Russian art history journals such as Isskustvoznanie (Art History Review), contributed chapters to edited volumes such as Moscow Kremlin in the 15th Century (Moskovskii Kreml’ XV stoletiia), Moscow: Volkhonka, 2011, and runs scientific seminar, "Arts and Culture in the eighteenth century," at State Inst. She is a recipient of numerous grants, such as Russian State Foundation for Humanities Grant, Deutscher Akademischer Ausrauschdienst Grant, and Swedish Institute Foundation Grant.

Alexander Ortenberg is a professor at California State Polytechnic University in Pomona, USA, where he teaches architectural history and theory, and design. He earned his MArch from the Moscow Institute of Architecture, Russia, in 1980 and his PhD from UCLA, USA, in 2004. His research interests include the history of architectural practices, the history of representation, and the history of exposition architecture. His publications include 'Joy in the Act of Drawing: Maybeck’s Palace of Fine Arts,' published in Journal of the Society of Architectural Historians (JSAH) in March 2011 and The Architecture of Great Expositions (2015) which he co-edited.

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