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100 Queer Films Since Stonewall

Brief Description
100 Queer Films Since Stonewall identifies 100 films that shaped the trajectory of queer cinema, connected with larger movements, and showcased the artistry of queer filmmaking. In addition to those films that already hold significant places in queer film canons, this volume examines often-overlooked titles. By... Read More
Format: Paperback / softback
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100 Queer Films Since Stonewall identifies 100 films that shaped the trajectory of queer cinema, connected with larger movements, and showcased the artistry of queer filmmaking. In addition to those films that already hold significant places in queer film canons, this volume examines often-overlooked titles. By highlighting hidden gems alongside well-known classics, this book makes a valuable, accessible contribution to queer film studies.

While queer films have existed since the beginning of cinema, this book focuses on films released after the Stonewall uprising in 1969. Stonewall is considered a turning point for queer politics and representation, and the 50 years since that event have generated an explosion of queer creativity.

The book describes significant formal elements of each film and connects them to their interrelated contexts. By moving in chronological order, it introduces a contemporary history of queer film and provides an overview of major developments in LGBTQ communities, cultures, and politics. This volume presents a framework for understanding the value of queer film.

Series: BFI Screen Guides

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Book Details

INFORMATION

ISBN: 9781839025075

Publisher: Bloomsbury Publishing PLC

Format: Paperback / softback

Date Published: 01 May 2025

Country: United Kingdom

Imprint: BFI Publishing

Illustration: 100 bw and colour illus

Audience: General / adult

DIMENSIONS

Spine width: 12.0mm

Width: 204.0mm

Height: 194.0mm

Weight: 540g

Pages: 224

About the Author

Chelsea McCracken is an Assistant Professor of Media Studies at SUNY Oneonta, USA. She received her PhD from the University of Wisconsin-Madison’s Department of Communication Arts. Her research interests include LGBTQ media, American independent cinema, and media industries, and she has published work in Screen, Media History, and Asian Cinema.

Matt Connolly is an Assistant Professor of Film Studies in the Department of English at Minnesota State University, Mankato, USA. His scholarly work on LGBTQ cinematic history has been published in Cinema Journal and Spectator. He is currently revising his dissertation, which analyses the early career of queer filmmaker John Waters.

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