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Koji Kondo's Super Mario Bros. Soundtrack

Series: 33 1/3
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( 438 ratings, 67 reviews)
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Andrew Schartmann explores how Koji Kondo's iconic Super Mario Bros. soundtrack (1985) transformed video game music from mere audio effects into a celebrated art form. The book examines the cultural and industry context of the early 1980s, including the 1983 video game crash and Nintendo's pioneering marketing, setting the stage for Kondo’s innovative compositions. Schartmann analyses the musical elements that define the "Mario sound," the thematic depth reflecting Princess Peach’s Mushroom Kingdom, and how sound effects enhance player immersion. Through Kondo's creative philosophy, the book reveals how his score influenced a generation of game composers and ushered in a new era for video game audio.
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Format: Paperback / softback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book suits readers interested in the intersection of music and video games, fans of Nintendo and Super Mario Bros., and those curious about the cultural impact of game soundtracks. It appeals to enthusiasts of music theory, digital composition, and arts & culture scholars exploring the evolution of electronic media.

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Koji Kondo's Super Mario Bros. Soundtrack

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Koji Kondo’s Super Mario Bros. (1985) score redefined video game music. With under three minutes of music, Kondo put to rest an era of bleeps and bloops—the sterile products of a lab environment—replacing it with one in which game sounds constituted a legitimate form of artistic expression.

Andrew Schartmann takes us through the various external factors (e.g. the video game crash of 1983, Nintendo’s marketing tactics) that coalesced into a ripe environment in which Kondo’s musical experiments could thrive. He then delves into the music itself, searching for reasons why our hearts still dance to the “primitive” 8-bit tunes of a bygone era.

What musical features are responsible for Kondo’s distinct “Mario sound”? How do the different themes underscore the vastness of Princess Peach’s Mushroom Kingdom? And in what ways do the game’s sound effects resonate with our physical experience of the world? These and other questions are explored within, through the lens of Kondo’s compositional philosophy—one that would influence an entire generation of video game composers.

As Kondo himself stated, “we [at Nintendo] were trying to do something that had never been done before.” In this book, Schartmann shows his readers how Kondo and his team not just succeeded, but heralded in a new era of video games.

Series: 33 1/3

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Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

The Wire praises Schartmann's convincing portrayal of Kondo's genius and challenges conventional views of art by highlighting video game music's artistic value. The New Yorker appreciates the book's exploration of Kondo’s expansive imagination and electronic composition's evolution in gaming. Pure Geekery finds the book deepens appreciation for seemingly simple video game music. It's recognised as a serious and well-crafted contribution to music and game studies, fitting comfortably within the respected 33 1/3 series.

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Book Details

INFORMATION

ISBN: 9781628928532

Publisher: Bloomsbury Publishing Plc

Format: Paperback / softback

Date Published: 16 July 2015

Country: United States

Imprint: Bloomsbury Academic

Audience: General / adult

DIMENSIONS

Spine width: 12.0mm

Width: 120.0mm

Height: 162.0mm

Weight: 150g

Pages: 168

About the Author

Andrew Schartmann holds degrees in music from McGill and Yale University. He is the author of Maestro Mario and the assistant editor of DSCH Journal.

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