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Women and Global Documentary

Practices and Perspectives in the 21st Century
Series: World Cinema
Brief Description
In what innovative ways are women documentary filmmakers seeking to prioritise and promote political awareness, alternative modes of allyship, and advocacy for those most marginalised by patriarchy and global capitalism? Women and Global Documentary answers the urgent need to re-evaluate the significance of women’s documentary practices,... Read More
Format: Paperback / softback
$5499
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"Women and Global Documentary answers the urgent need to re-evaluate not only the significance of women's documentary practices and their contributions to feminist world-building, but also the state of documentary studies as it engages with political, aesthetic, and industrial developments arising as a result of an increasing numbers of women's documentaries"-- Provided by publisher.

A timely and in depth exploration of the political, aesthetic, and institutional developments in women's documentary filmmaking across the globe.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

In what innovative ways are women documentary filmmakers seeking to prioritise and promote political awareness, alternative modes of allyship, and advocacy for those most marginalised by patriarchy and global capitalism?

Women and Global Documentary answers the urgent need to re-evaluate the significance of women’s documentary practices, their contributions to feminist world-building, and to the state of documentary studies as a whole.

Bringing together a range of diverse practitioners and authors, the volume analyses alternative and emergent networks of documentary production and collaboration within a global context. The chapters investigate filmmaking practices from regions such as East Africa, Latin America, South Asia, East Asia, the Middle East, and North Africa. They also examine decolonial practices in the Global North based on Indigenous filmmaking and feminist documentary institutions such as Women Make Movies.

In doing so, they assess the global, institutional, political, and artistic factors that have shaped women's documentary practices in the 21st century, and their implications for scholarly debates regarding women's authorship, political subjectivity, and documentary representation.

Series: World Cinema

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  • Women and Global Documentary
    In what innovative ways are women documentary filmmakers seeking to prioritise and promote political awareness, alternative modes of allyship, and advocacy for those most marginalised by patriarchy and global capitalism? Women and Global Documentary answers the urgent need to re-evaluate the significance of women’s documentary practices, their contributions to feminist world-building, and to the state of documentary studies as a...
    Paperback
    $5499
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    Ships in 4-6 weeks
  • Bollypolitics
    Winner of Best Monograph at the 2025 BAFTSS Awards. Bollypolitics offers an in-depth exploration of the evolving landscape of Bollywood cinema in response to recent socio-political changes in India, including a surge in sectarian violence and the ascent of Hindutva, or Hindu nationalism, under Prime Minister Narendra Modi's leadership. Through a comprehensive analysis of prominent filmmakers and actors like Sanjay...
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Book Details

INFORMATION

ISBN: 9781350422896

Publisher: Bloomsbury Publishing PLC

Format: Paperback / softback

Date Published: 06 February 2025

Country: United Kingdom

Imprint: Bloomsbury Academic

Illustration: 30 bw illus

Contributors:

  • Edited by Shilyh Warren
  • Edited by Najmeh Moradiyan-Rizi

Audience: Tertiary education

DIMENSIONS

Spine width: 18.0mm

Width: 156.0mm

Height: 232.0mm

Weight: 520g

Pages: 312

About the Author

Najmeh Moradiyan-Rizi is Assistant Professor of Film Studies at Old Dominion University, USA. She is author of Women and Documentary Film in Contemporary Iran (forthcoming, 2023). She has published widely on Iranian cinema.

Shilyh Warren is Associate Professor of Film Studies at the University of Texas at Dallas, USA. She is the author of Subject to Reality (2019) and has published widely on documentary cinema and feminist theory.

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