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Not magic but work

An ethnographic account of a rehearsal process
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Not Magic but Work offers a detailed exploration of the intensive process behind the staging of Michael Gow's play Toy Symphony, directed by Neil Armfield and premiered by Company B at Sydney's Belvoir Street Theatre in 2007. Gay McAuley draws on extensive research and observation, capturing the complex creative collaboration between director, playwright, and cast during rehearsals. The book is divided into two parts: a descriptive account of the rehearsal dynamics and subsequent essays providing a theoretical framework for understanding the group creativity in contemporary theatre.
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Format: Paperback / softback
$10200

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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is ideal for students, practitioners, and scholars of theatre arts, especially those interested in directing, playwriting, and rehearsal methodologies. It also appeals to readers fascinated by collaborative creative processes in the performing arts.

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Newly available in paperback, this is a detailed description of the intensive work process involved in the making of Toy Symphony, a play by Michael Gow, directed by Neil Armfield and brought to the stage for the first time in December 2007 by Company B at the Belvoir Street Theatre in Sydney. Drawing on years of research McAuley rejects simplistic

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Newly available in paperback, this is a detailed description of the intensive work process involved in the making of Toy Symphony, a play by Michael Gow, directed by Neil Armfield and brought to the stage for the first time in December 2007 by Company B at the Belvoir Street Theatre in Sydney.

Drawing on years of research, McAuley rejects simplistic notions of playwright or director as 'auteur'. Her account makes possible a more nuanced understanding of the real artistry involved in what it is that the director does and what the playwright contributes to the process.

The book is in two parts. The first describes the work process and the complex relations between participants noted by McAuley during her intensive observation of the rehearsal period throughout the run of the production. The second part consists of a number of essays reflecting on aspects of the work observed and providing a theoretical framework for deeper understanding of the rehearsal practices described.

McAuley concludes that contemporary theatre constitutes a highly effective model of group creativity that could be applied in many different institutional contexts.

Series: Theatre: Theory – Practice – Performance

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Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Praised by scholars such as P. Solomon Lennox and Alex Mermikides for its thorough and insightful examination of rehearsal processes, the book is recognised as a significant contribution to theatre studies. Reviewers highlight its value in revealing the collaborative artistry involved in theatrical production and its relevance beyond the Australian theatre scene.

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Book Details

INFORMATION

ISBN: 9780719099311

Publisher: Manchester University Press

Format: Paperback / softback

Date Published: 01 July 2015

Country: United Kingdom

Imprint: Manchester University Press

Illustration: Illustrations, black & white

Audience: General / adult

DIMENSIONS

Spine width: 14.0mm

Width: 156.0mm

Height: 234.0mm

Weight: 304g

Pages: 256

About the Author

Gay McAuley is Honorary Professor in the Department of Performance Studies at the University of Sydney

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