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Series: The Fourth Wall

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  • Benjamin Britten and Montagu Slater's Peter Grimes
    ‘Who can turn skies back and begin again?’ -Peter This book contends that Peter Grimes, widely regarded as one of the greatest and most influential operas of the 20th century, is also one of the British theatre’s finest ‘lost’ plays. Seeking to liberate Britten and Slater’s work from the blinkered traditions of theatre and opera criticism, Sam Kinchin-Smith poses two...
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  • Mitchell and Trask's Hedwig and the Angry Inch
    ‘… love creates something that was not there before.’ – Hedwig John Cameron Mitchell and Stephen Trask's Hedwig and the Angry Inch opened on Valentine’s Day, 1998, in New York City, and ever since, it and its genderqueer heroine have captivated audiences around the world. As the first musical to feature a genderqueer protagonist as its lead, the show has...
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  • Parker, Lopez and Stone's The Book of Mormon
    The Book of Mormon In 2011, a musical full of curse words and Mormon missionaries swept that year’s Tony Awards and was praised as a triumphant return of the American musical. This book explores the inherent achievements (and failures) of The Book of Mormon—one of the most ambitious, and problematic, musicals to achieve widespread success. The creative team members—Matt Parker,...
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  • Rodgers and Hammerstein's The Sound of Music
    'Blossom of snow may you bloom and grow, Bloom and grow forever' Often dismissed as kitsch sentimentalism, Rodgers and Hammerstein’s The Sound of Music has proven an enduringly popular and surprisingly influential cultural icon, both within the field of musical theatre and the wider world. The Broadway production won five Tony Awards, the London production became the longest-running West End...
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