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A to Z of Creative Writing Methods

Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
A to Z of Creative Writing Methods offers an alphabetical collection of essays inviting exploration of diverse methods in creative writing research and practice. Featuring nearly sixty contributors including poets, novelists, graphic novelists, and multimedia writers, the volume presents a rich array of literary and cultural perspectives that define, expand, and enact various creative methods. This accessible and thought-provoking book uncovers new developments in the field, making it an essential resource for teachers, research students, and scholar-practitioners in creative writing studies.
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Format: Paperback / softback
$6299
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

Ideal for creative writing teachers, research students, scholar-practitioners, and aspiring writers interested in expanding their practice through innovative and diverse methods.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

A to Z of Creative Writing Methods is an alphabetical collection of essays designed to prompt consideration of method within creative writing research and practice.

Almost sixty contributors from a range of writing traditions and across multiple forms and genres are represented in this volume: from poets, essayists, novelists, and performance writers, to graphic novelists, illustrators, and those engaged in multi-media writing or writing-related arts activism. Contributors bring to this collection their distinct and diverse literary and cultural contexts, defining, expanding, and enacting the methods they describe, while providing new possibilities for creative writing practice.

Accessible and provocative, A to Z of Creative Writing Methods unveils new developments and directions in the field, making it an invaluable resource for teachers, research students, and scholar-practitioners in the field of creative writing studies.

Series: Research in Creative Writing

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Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

The collection is praised for its syncretic approach, engaging a broad spectrum of methods such as archives, folklore, queering texts, and concepts like erasure and uncertainty. It promotes freeing writing from traditional spaces and celebrates the multifaceted nature of the literary creative process. Described as an exciting and inclusive invitation to anyone seeking to write creatively, it offers fresh approaches to the craft. Lily Rose Tope, University of the Philippines Diliman

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Book Details

INFORMATION

ISBN: 9781350184213

Publisher: Bloomsbury Publishing PLC

Format: Paperback / softback

Date Published: 17 November 2022

Country: United Kingdom

Imprint: Bloomsbury Academic

Contributors:

  • Edited by Dr Deborah Wardle
  • Edited by Julienne van Loon
  • Edited by Dr Stayci Taylor
  • Edited by Dr Francesca Rendle-Short
  • Edited by Dr Peta Murray
  • Edited by Professor David Carlin

Audience: Tertiary education

DIMENSIONS

Spine width: 12.0mm

Width: 170.0mm

Height: 242.0mm

Weight: 400g

Pages: 216

About the Author

Deborah Wardle has fiction, nonfiction and peer-reviewed articles in Australian and international journals. Deborah teaches at RMIT University and University of Melbourne. Her PhD thesis explores the ways climate fiction expresses the โ€˜voicesโ€™ of more-than-human entities, particularly groundwater. Her book with Routledge Subterranean Imaginings: Groundwater Narratives is due 2023.

Julienne van Loon is Associate Professor in Creative Writing at RMIT University, Melbourne, and Honorary Fellow in Writing at the University of Iowa. Her research interests include feminist literary practice, contemporary narrative fiction and literary value. Publications include The Thinking Woman (2020), Harmless (2014), Beneath the Bloodwood Tree (2008), and Road Story (2005). She is managing editor at TEXT: Journal of Writing and Writing Courses, see https://textjournal.scholasticahq.com/

Stayci Taylor is Senior Lecturer at RMIT University in the School of Media and Communication. Her research interests include screenwriting, script development, nonfiction and creative practice. She has published in all of these areas, in both scholarly and creative outlets, and often through the lenses of gender and comedy. She is lead editor of The Palgrave Handbook of Script Development (2021).

Francesca Rendle-Short is Professor of Creative Writing in the School of Media and Communication at RMIT University. She is interested in a research practice that seeks to subvert normative practices, one focused on ethical enquiry. She is co-founder of non/fictionLab and WrICE (Writers Immersion and Cultural Exchange). Her five books include The Near and the Far (Vol I and II; 2016, 2019) and Bite Your Tongue (2011).

Peta Murray is Lecturer in Creative Writing at RMIT University, Melbourne. Her research focus is the role oflanguage and arts-based practices as modes of inquiry and forms of cultural activism. Publications include plays such as Salt (2001), fiction including Indigestion (2010), collaborative, queer and multi-modal works of live art such as vigil/wake (2019), and adventures in the essayesque, Glossalalalararium Pandemiconium (2020).

David Carlin is Professor in Media and Communication at RMIT University. Co-founder of WrICE and non/fictionLab, his research interests include essaying and hybrid, collaborative and ecocritical forms and methods. Recent books include The After-Normal: Brief, Alphabetical Essays on a Changing Planet (2019) and 100 Atmospheres: Studies in Scale and Wonder (2019).

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