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ReFocus: The Films of Lindsay Anderson

Brief Description
Following the centenary of Lindsay Anderson's birth (1923-94), this edited collection of original essays re-examines the work of one of British cinema's most iconoclastic and challenging directors. Building upon existing scholarship and authorial frameworks, the chapters included engage with a range of highly contemporary interpretive themes... Read More
Format: Hardback
$63000

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Provides new scholarly interpretations of films by British director Lindsay Anderson.

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Following the centenary of Lindsay Anderson's birth (1923-94), this edited collection of original essays re-examines the work of one of British cinema's most iconoclastic and challenging directors. Building upon existing scholarship and authorial frameworks, the chapters included engage with a range of highly contemporary interpretive themes and approaches, including regionalism, reception, trauma, queer theory, genre, collaboration and gender representation. Addressing a number of methods and key themes which have arisen in the years following Anderson's death, ReFocus: The Films of Lindsay Anderson offers a diverse exploration of his screen work from a contemporary critical perspective. The chapters provide fresh insights into some of the most significant texts in the history of British cinema, including films, concepts, and creative relationships that have shaped modern screen culture.

Series: ReFocus: The International Directors Series

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Book Details

INFORMATION

ISBN: 9781399537056

Publisher: Edinburgh University Press

Format: Hardback

Date Published: 31 December 2025

Country: United Kingdom

Imprint: Edinburgh University Press

Illustration: 9 black and white illustrations

Contributors:

  • Edited by Will Kitchen

Audience: General / adult, Professional and scholarly

DIMENSIONS

Width: 156.0mm

Height: 234.0mm

Weight: 250g

Pages: 240

About the Author

Will Kitchen taught film, media and cultural industries at the University of Southampton, the University of Chichester and Arts University Bournemouth. He is the author of several books, including Culture, Capital and Carnival: Modern Media and the Representation of Work (2025), Film, Negation and Freedom: Capitalism and Romantic Critique (2023) and Romanticism and Film: Franz Liszt and Audio-Visual Explanation (2020).

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