Electric Seeing
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Electric Seeing
Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
A video theory from the technological outset and the desire for Β»electric seeingΒ« in the 19th century until today's ubiquitous video practice.
What is the subject of video?
Charlotte Klink traces the development of electromagnetism in the pursuit of Electric Seeing that emerged in the 19th century, as well as its curious relation to psychoanalysis and the contemporary discovery of the structure of the human psyche. In doing so, she exposes how this development laid the foundation of what we know today as "video".
This comprehensive theory of video entails a discussion of the technological, historical, and etymological roots, the media-theoretical concepts of medium and index, the philosophical and art-theoretical environment in which video emerged in the 1960s, the psychoanalytic concept of the phantasm, and artworks by artists such as Yael Bartana and Hito Steyerl.
Series: Image
View allBook Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Reviewed in Neural, issue 73 (2024), highlighting its comprehensive approach to video theory and interdisciplinary insights.
Book Details
INFORMATION
ISBN: 9783837657005
Publisher: Transcript Verlag
Format: Paperback / softback
Date Published: 22 July 2022
Country: Germany
Imprint: Transcript Verlag
Audience: Professional and scholarly
DIMENSIONS
Spine width: 2.0mm
Width: 15.0mm
Height: 23.0mm
Weight: 482g
Pages: 350
About the Author
Charlotte Klink is an artist and image/media theorist. Her artistic practice focusses on drawing, writing, video, and performance. She completed her PhD at Staatliche Akademie der Bildenden KΓΌnste Stuttgart (ABK) and was a visiting scholar at Tel Aviv University as a fellow of the Max Planck Society's Minerva Fellowship Program. Her research foci are contemporary art and aesthetics. She is co-founder of the DFG network 3GPositions of the third generation after World War II and the Shoah in contemporary literature and arts.
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