Hauntology, Nostalgia, and New Music
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Hauntology, Nostalgia, and New Music
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See moreThis Element studies music in 'nostalgia mode', reproducing perfected versions of existing sounds, and hauntological music, which uses the past to reveal lost futures. This Element argues this paradigm applies to both popular and new music, challenging the notion of futurity in a world sceptical of historical change.
This Element is an account of popular and new music in 'nostalgia' and 'hauntological' modes.
In the past quarter of a century, or longer, popular cultures and musics both popular and 'new' have become concerned, rather than with futurity, with their own pasts. In a world where, after Fukuyama's 'end of history' or Berardi's 'cancellation of the future', the idea of fundamental historical change has seemed increasingly incredible.
Hauntology, Nostalgia, and New Music is a critical study of music in what Fisher calls 'nostalgia mode', a flattened, high-gloss reproduction of a music indistinguishable from that which already exists, save for its technical perfection. It also explores hauntological musics that are critical of this stance, which deploy the music of the past not in reassuring fashion, but to stress that, in 'unwounded' history, they would not still be here.
Although normally treated separately, this paradigm applies not only to popular music but also to new music, which has historically claimed the music of the future as its privileged territory.
Series: Elements in Music since 1945
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INFORMATION
ISBN: 9781009718530
Publisher: Cambridge University Press
Format: Paperback / softback
Date Published: 02 April 2026
Country: United Kingdom
Imprint: Cambridge University Press
Illustration: Worked examples or Exercises
Audience: General / adult
DIMENSIONS
Spine width: 4.0mm
Width: 152.0mm
Height: 229.0mm
Weight: 117g
Pages: 70
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