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The Diagram as Paradigm

Cross-Cultural Approaches
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
The Diagram as Paradigm examines medieval diagrams across three major cultural spheres: Byzantium, the Islamicate world, and the Latin West. It explores how these regions, connected through intellectual and mercantile exchanges, developed rich diagrammatic traditions in fields such as philosophy, theology, mysticism, music, medicine, mathematics, astronomy, and cosmology. The book combines international case studies and introductory essays to reveal the shared visual and conceptual strategies behind premodern diagrams.
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Format: Hardback
$16999
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Ideal for scholars and readers interested in medieval studies, art history, cross-cultural intellectual history, and the development of visual knowledge systems.

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The Diagram as Paradigm explores medieval diagrams in Byzantium, the Islamicate world, and the Latin West. Case studies consider the theoretical dimensions of diagramming in historical disciplines ranging from philosophy to cosmology. Four introductory essays provide overviews of diagrammatic traditions of the regions explored in this volume.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

The Diagram as Paradigm is the first book that examines medieval diagrams from a cross-cultural perspective, focusing on three regions—Byzantium, the Islamicate world, and the Latin West—each culturally diverse and closely linked through complex processes of intellectual, artistic, diplomatic, and mercantile exchange.

The volume brings together case studies, often of little-known material, by an international group of specialists. It is prefaced by four introductory essays that provide broad overviews of diagrammatic traditions in these regions, as well as considering the theoretical dimensions of diagramming. Among the historical disciplines whose use of diagrams is explored are philosophy, theology, mysticism, music, medicine, mathematics, astronomy, and cosmology.

Despite the sheer variety, ingenuity, and visual inventiveness of premodern world diagrams, they often share many similarities in conception, construction, and practical use. Diagrams prove to be an essential part of the fabric of premodern intellectual, scientific, religious, artistic, and artisanal life.

Series: Dumbarton Oaks Byzantine Symposia and Colloquia

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    Hardback
    $16999
    Available
    Ships in 3-4 weeks
  • The Diagram as Paradigm
    The Diagram as Paradigm is the first book that examines medieval diagrams from a cross-cultural perspective, focusing on three regions—Byzantium, the Islamicate world, and the Latin West—each culturally diverse and closely linked through complex processes of intellectual, artistic, diplomatic, and mercantile exchange. The volume brings together case studies, often of little-known material, by an international group of specialists. It is...
    Hardback
    $16999
    Available
    Ships in 3-4 weeks

Book Details

INFORMATION

ISBN: 9780884024866

Publisher: Dumbarton Oaks Research Library & Collection

Format: Hardback

Date Published: 09 August 2022

Country: United States

Imprint: Dumbarton Oaks Research Library & Collection

Illustration: 45 photos, 315 color photos, 15 illus., 23 color illus., 1 table

Contributors:

  • Edited by Jeffrey F. Hamburger
  • Edited by David J. Roxburgh
  • Edited by Linda Safran

Audience: Professional and scholarly

DIMENSIONS

Spine width: 38.0mm

Width: 216.0mm

Height: 279.0mm

Weight: 1973g

Pages: 574

About the Author

Jeffrey F. Hamburger is Kuno Francke Professor of German Art and Culture in the Department of History of Art and Architecture at Harvard University. His recent books include Color in Cusanus and The Birth of the Author. David J. Roxburgh is Prince Alwaleed Bin Talal Professor of Islamic Art History in the Department of History of Art and Architecture at Harvard University. Linda Safran is Associate Fellow at the Pontifical Institute of Mediaeval Studies at the University of Toronto.

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