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A Companion to Literature and Film
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A Companion to Literature and Film
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
An invaluable resource for scholars, postgraduate students, and serious enthusiasts of literature and film studies, especially those interested in adaptation theory and interdisciplinary cultural analysis.
A Companion to Literature in Film provides state-of-the-art research on world literature, film, and the complex theoretical relationship between them. 25 essays by international experts cover the most important topics in the study of literature and film adaptations.
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Description
A Companion to Literature and Film provides state-of-the-art research on world literature, film, and the complex theoretical relationship between them. Twenty-five essays by international experts cover the most important topics in the study of literature and film adaptations.
Contributors explore, in a highly innovative and groundbreaking way, important topics in the field. These include:
Key issues such as dialogism, hidden intertextuality, and adaptation as readings, critiques, and rewritings of source novels.
Cultural concerns including iconophobia and the word/image wars.
Theoretical issues such as "transecriture" and "intermediality".
Genre topics including "hagiopic" and the apocalyptic film.
The relationship with other media, including photography and painting.
Consideration of format, including seriality, and diverse source material.
Thematic subjects such as hetero-masculinity in The Talented Mr Ripley and libertinage in the work of Eric Rohmer.
The combination of theory and sophisticated readings of novels and adaptations adds up to a tour de force that reshapes and reconfigures the very field of literature and film studies.
Series: Blackwell Companions in Cultural Studies
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A Companion to Literature and Film
A Companion to Literature and Film provides state-of-the-art research on world literature, film, and the complex theoretical relationship between them. Twenty-five essays by international experts cover the most important topics in the study of literature and film adaptations. Contributors explore, in a highly innovative and groundbreaking way, important topics in the field. These include: Key issues such as dialogism, hidden...Paperback$10999Unit price /UnavailableAvailableShips in 3-4 weeks
Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Eric Smoodin, University of California at Davis, praises the volume as a model for consolidating film and literature studies across diverse topics and audiences, highlighting its value to scholars, undergraduates, and enthusiasts of novels and movies alike.
Thomas Elsaesser, University of Amsterdam, describes it as a surprising and indispensable guide, noting its conceptual clarity, interdisciplinary range, and wealth of ideas, serving both experts and newcomers to the field.
Book Details
INFORMATION
ISBN: 9781405177559
Publisher: John Wiley and Sons Ltd
Format: Paperback / softback
Date Published: 11 December 2007
Country: United Kingdom
Imprint: Wiley-Blackwell
Contributors:
- Edited by Robert Stam
- Edited by Alessandra Raengo
- Edited by Robert Stam
- Edited by Alessandra Raengo
- Edited by Robert Stam
- Edited by Alessandra Raengo
Audience: Professional and scholarly
DIMENSIONS
Spine width: 26.0mm
Width: 174.0mm
Height: 248.0mm
Weight: 835g
Pages: 480
About the Author
Robert Stam is University Professor at New York University. His many books include Film Theory: An Introduction (Blackwell, 2000), Unthinking Eurocentrism: Multiculturalism and the Media (with Ella Shohat, 1994), and Subversive Pleasures: Bakhtin, Cultural Criticism and Film (1989). With Toby Miller, he is the editor of Film and Theory (Blackwell, 2000) and The Blackwell Companion to Film Theory (2000).
Alessandra Raengo is finishing her PhD in the Cinema Studies Department at New York University, where she occasionally teaches. Her dissertation explores race and vernacular social criticism in American culture between 1945 and 1968. Among her publications are The Birth of Film Genres (1999) and The Bounds of Representation (2000), both multilingual volumes edited with Leonardo Quaresima and Laura Vichi.
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