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The Biopic in Contemporary Film Culture
Series: AFI Film Readers
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Format: Paperback / softback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
This volume is ideal for students and scholars of film studies, cinema enthusiasts interested in the biopic genre, and readers seeking a global perspective on how film portrays historical figures and events.
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Book Hero Magic formatted this description to make it easier to read. While it's new and
still learning, it may not be perfect - your
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Description
The biographical film or biopic is a staple of film production in all major film industries and yet, within film studies, its generic, aesthetic, and cultural significance has remained underexplored. The Biopic in Contemporary Film Culture fills this gap, conceptualising the biopic with a particular eye toward the "life" of the genre internationally. New theoretical approaches combine with specially commissioned chapters on contemporary biographical film production in India, Italy, South Korea, France, Russia, Great Britain, and the US, in order to present a selective but well-rounded portrait of the biopic’s place in film culture.
From Marie Antoinette to The Social Network, the pieces in this volume critically examine the place of the biopic within ongoing debates about how cinema can and should represent history and "real lives." Contributors discuss the biopic’s grounding in the conventions of the historical film, and explore the genre’s defining traits as well as its potential for innovation. The Biopic in Contemporary Film Culture expands the critical boundaries of this evolving, versatile genre.
Series: AFI Film Readers
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Authorship and Film
Authorship and Film explores the persistent theme of authorship within the field of cinema studies. This volume of new work revitalises the question of authorship by connecting it to larger issues of identity — in film, in the marketplace, in society, and in culture. Essays within the book range from the auteur theory and Casablanca to Oscar Micheaux, from the...HardbackSold Out -
The Biopic in Contemporary Film Culture
The biographical film or biopic is a staple of film production in all major film industries and yet, within film studies, its generic, aesthetic, and cultural significance has remained underexplored. The Biopic in Contemporary Film Culture fills this gap, conceptualising the biopic with a particular eye toward the "life" of the genre internationally. New theoretical approaches combine with specially commissioned...PaperbackSold Out -
Endangering Science Fiction Film
Endangering Science Fiction Film explores the ways in which science fiction film is a dangerous and endangering genre. The collection argues that science fiction's cinematic power rests in its ability to imagine ‘Other’ worlds that challenge and disturb the lived conditions of the ‘real’ world, as it is presently known to us. From classic films such as 2001: A Space...Hardback$62000Unit price /UnavailableAvailableShips in 2-3 weeks -
World Cinemas, Transnational Perspectives
SCMS Award Winner Best Edited Collection The standard analytical category of "national cinema" has increasingly been called into question by the category of the "transnational." This anthology examines the premises and consequences of the coexistence of these two categories and the parameters of historiographical approaches that cross the borders of nation-states. The three sections of World Cinemas, Transnational Perspectives cover...Hardback$66700Unit price /UnavailableAvailableShips in 2-3 weeks
Book Details
INFORMATION
ISBN: 9780415899413
Publisher: Taylor & Francis Ltd
Format: Paperback / softback
Date Published: 07 December 2013
Country: United Kingdom
Imprint: Routledge
Illustration: 20 Halftones, black and white
Contributors:
- Edited by Tom Brown
- Edited by Belén Vidal
Audience: Tertiary education
DIMENSIONS
Width: 152.0mm
Height: 229.0mm
Weight: 453g
Pages: 314
About the Author
Tom Brown is Lecturer in the Department of Film Studies at King’s College London. He is the editor (with James Walters) of Film Moments: Criticism, History, Theory and (with James Bennett) of Film and Television after DVD, and the author of Breaking the Fourth Wall: Direct Address in the Cinema.
Belén Vidal is Senior Lecturer in the Department of Film Studies at King’s College London. She is the author of Figuring the Past: Period Film and the Mannerist Aesthetic and The Heritage Film: Nation, Genre, and Representation. She is the co-editor of Cinema at the Periphery.
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