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Images by Australian Artists 1942-2020
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Printed
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
This book will appeal to readers interested in Australian art history, printmaking, and cultural studies. It suits art students, historians, and anyone drawn to visual arts and social change.
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Book Hero Magic formatted this description to make it easier to read. While it's new and
still learning, it may not be perfect - your
feedback is welcome!
Description
Printed: Images by Australian artists 1942-2020 traces the history of printmaking by Australian artists during an era of dramatic changes in Australian society and the visual arts. Arranged in three sections, it begins with the innovative wartime policy initiatives of the Commonwealth Reconstruction Scheme, which laid the groundwork for crucial development in the arts. During this period, émigré artists and Australian artists returning home helped establish printmaking societies, art galleries, and publishers, which underpinned the growing popularity of this most democratic of art forms.
The second section explores the rise of political and social posters, which became one of the most dynamic forms of print practice in the 1970s and 1980s. Additionally, it highlights prints by Aboriginal and Torres Strait Islander artists, which have been at the forefront of Australian art since the 1970s.
The book's final section discusses the continuing responses by printmakers to key concerns of our time, focusing on the themes of land and identity.
Book Details
INFORMATION
ISBN: 9780642334930
Publisher: National Gallery of Australia
Format: Hardback
Date Published: 01 September 2021
Country: Australia
Imprint: National Gallery of Australia
Contributors:
- Edited by Roger Butler
Audience: General / adult, Tertiary education
DIMENSIONS
Width: 247.0mm
Height: 298.0mm
Weight: 2676g
Pages: 432
Collections
About the Author
Roger Butler AM was Senior Curator of Australian Prints at the National Gallery of Australia (1981-2020) and is recognised as the foremost authority on printmaking in Australia. This is the third volume in his pioneering series on the history of printmaking by Australian artists.
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