Julia Bryan-Wilson

A daring reassessment of Louise Nevelson, an icon of twentieth-century art whose innovative procedures relate to gendered, classed, and racialized forms of making In this radical rethinking of the art of Louise Nevelson (1899–1988), Julia Bryan-Wilson provides a long-overdue critical account of a signature figure in postwar sculpture. A Ukraine-born Jewish immigrant, Nevelson persevered in the male-dominated New York art...

This groundbreaking volume positions Liz Collins as a singular figure who not only synthesises fine art, craft and fashion and textile design, but also advocates fiercely for queer and feminist politics. Collins is a queer feminist artist known for her radical deployment of fibre, her activism around labour and gender politics, and her exploration of the borderlands between art, design...

In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more...

From painting to digital technologies to crowdsourcing, over the last few decades, the means of making artworks have become more extraordinary and diverse. Yet we rarely consider the implications of how art is made. In this wide-ranging exploration of methods and media in art since the 1950s, Glenn Adamson and Julia Bryan-Wilson take the reader behind the scenes of the...