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Crafting Country

Aboriginal Archaeology in the Eastern Chichester Ranges, Northwest Australia
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Crafting Country by Caroline Bird and James W. Rhoads delves into the rich tapestry of rural life through the lens of history and military influence. It explores how agrarian traditions and local histories interweave with broader national narratives, highlighting transformations over time. By examining key events and regional developments, the book offers an insightful look into the shaping of country landscapes and identities.
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Format: Paperback / softback
$5999
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

You might enjoy this book if you're fascinated by the intricate tapestry of history and military traditions, as it delves into the historical significance of craftsmanship in shaping national identity and cultural heritage. Perfect for enthusiasts who appreciate the nuances of how skills and traditions have influenced societies and military developments over time.

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Crafting Country

Based on ten years of surveys and excavations in Nyiyaparli country in the eastern Chichester Ranges, north-west Australia, Crafting Country provides a unique synthesis of Holocene archaeology in the Pilbara region.

This unique study of Aboriginal archaeology in the Pilbara region examines how the Nyiyaparli people interacted with and 'crafted' the land.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Based on ten years of surveys and excavations in Nyiyaparli country in the eastern Chichester Ranges, north-west Australia, Crafting Country provides a unique synthesis of Holocene archaeology in the Pilbara region.

The analysis of about 1000 sites, including surface artefact scatters and 19 excavated rock shelters, as well as thousands of isolated artefacts, takes a broad view of the landscape, examining the distribution of archaeological remains in time and space. Heritage compliance archaeology commonly focuses on individual sites, but this study reconsiders the evidence at different scales – at the level of artefact, site, locality, and region – to show how Aboriginal people interacted with the land and made their mark on it.

Crafting Country shows that the Nyiyaparli 'crafted' their country, building structures and supplying key sites with grindstones, raw material, and flaked stone cores. In so doing, they created a taskscape of interwoven activities linked by paths of movement.

Series: Tom Austen Brown Studies in Australasian Archaeology

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Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Crafting Country is praised for making the archaeology of the Pilbara more accessible and filling a vital gap in understanding the region. Reviewers commend the book's approach to stone artefact analysis, highlighting its emphasis on landscape-scale methods and the consideration of temporal processes. It is deemed essential for consultants and academics focusing on the Pilbara area.

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Book Details

INFORMATION

ISBN: 9781743326169

Publisher: Sydney University Press

Format: Paperback / softback

Date Published: 02 April 2020

Country: Australia

Imprint: Sydney University Press

Illustration: Illustrations

Audience: Professional and scholarly

DIMENSIONS

Spine width: 20.0mm

Width: 178.0mm

Height: 254.0mm

Weight: 400g

Pages: 344

About the Author

Caroline Bird is a consulting archaeologist with Archae-aus and an Honorary Research Associate with the Western Australian Museum. She specialises in stone artefact analysis.

James W. Rhoads is an Honorary Research Fellow at the University of Western Australia, and an Honorary Research Associate at the Australian Museum, Sydney. His main area of interest is in Papua New Guinea ethnoarchaeology

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