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Drag

A British History
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( 21 ratings, 7 reviews)
Brief Description
"A must-read for anyone interested in the history of drag performance."—Publishers Weekly A rich and provocative history of drag's importance in modern British culture. Drag: A British History is a groundbreaking study of the sustained popularity and changing forms of male drag performance in modern Britain.... Read More
Format: Paperback / softback
$4799
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"A must-read for anyone interested in the history of drag performance."—Publishers Weekly

A rich and provocative history of drag's importance in modern British culture.

Drag: A British History is a groundbreaking study of the sustained popularity and changing forms of male drag performance in modern Britain. With this book, Jacob Bloomfield provides fresh perspectives on drag and recovers previously neglected episodes in the history of the art form.

Despite its transgressive associations, drag has persisted as an intrinsic, and common, part of British popular culture—drag artists have consistently asserted themselves as some of the most renowned and significant entertainers of their day. As Bloomfield demonstrates, drag was also at the centre of public discussions around gender and sexuality in the nineteenth and twentieth centuries, from Victorian sex scandals to the "permissive society" of the 1960s. This compelling new history demythologises drag, stressing its ordinariness while affirming its important place in British cultural heritage.

Series: Berkeley Series in British Studies

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Book Details

INFORMATION

ISBN: 9780520409651

Publisher: University of California Press

Format: Paperback / softback

Date Published: 08 October 2024

Country: United States

Imprint: University of California Press

Illustration: 19 b-w

Audience: Professional and scholarly

DIMENSIONS

Spine width: 23.0mm

Width: 152.0mm

Height: 229.0mm

Weight: 408g

Pages: 272

About the Author

Jacob Bloomfield is Zukunftskolleg Postdoctoral Fellow at the University of Konstanz and Honorary Research Fellow at the University of Kent. His research is situated primarily in the fields of cultural history, the history of sexuality, and gender history. He is currently working on a book about the historical reception to musician Little Richard in the United States and Europe.

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