Faster Than A Cannonball
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Faster Than A Cannonball
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See morePart oral history, part narrative pop culture, part celebration of the music of 1995
Decades tend to crest halfway through, and 1995 was the year of the Nineties: peak Britpop (Oasis v Blur), peak YBA (Tracey Emin's tent), peak New Lad (when Nick Hornby published High Fidelity, when James Brown's Loaded detonated the publishing industry, and when pubs were finally allowed to stay open on a Sunday).
It was the year of The Bends, the year Danny Boyle started filming Trainspotting, the year Richey Edwards went missing, the year Alex Garland wrote The Beach, the year Blair changed Clause IV after a controversial vote at the Labour Conference.
It was a period of huge cultural upheaval - in art, literature, publishing and drugs, and a period of almost unparalleled hedonism.
Faster Than a Cannonball is a cultural swipe of the decade from loungecore to the rise of New Labour, teasing all the relevant artistic strands through interviews with all the major protagonists and exhaustive re-evaluations of the important records of the year, by artists including Radiohead, Teenage Fanclub, Tricky, Pulp, Blur, the Chemical Brothers, Supergrass, Elastica, Spiritualized, Aphex Twin and, of course, Oasis.
Book Details
INFORMATION
ISBN: 9781474624596
Publisher: Orion Publishing Co
Format: Paperback / softback
Date Published: 30 May 2024
Country: United Kingdom
Imprint: White Rabbit
Audience: General / adult, Tertiary education, Professional and scholarly
DIMENSIONS
Spine width: 38.0mm
Width: 128.0mm
Height: 196.0mm
Weight: 360g
Pages: 528
About the Author
New York Times and Sunday Times bestselling author Dylan Jones has written or edited over twenty-five books. In the Eighties, he was one of the first editors of i-D, before becoming a Contributing Editor of The Face and Editor of Arena. He spent the next decade working in newspapers - principally the Observer and the Sunday Times - before embarking on a multi-award-winning tenure at GQ. A former columnist for the Guardian and the Independent, he is a Trustee of the Hay Festival, and a peripatetic television producer. In 2012 he was awarded an OBE for services to publishing.
Also by Dylan Jones
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