Oleanna
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Oleanna
Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
This play was published to coincide with its British premiere, directed by Harold Pinter, at the Royal Court Theatre, London.
This play was published to coincide with its British premiere, directed by Harold Pinter, at the Royal Court Theatre, London.
An ear for reproducing everyday language has long been David Mamet's hallmark, and he has now employed it to skewer the dogmatic, puritanical streak which has become commonplace on and off the campus. With Oleanna, he continues an exploration of male-female conflicts begun with Sexual Perversity in Chicago in 1974. Oleanna cogently demonstrates that when free thought and dialogue are imperilled, nobody wins. (Michael Wise, Independent)
In Oleanna, John and Carol engage in hand-to-hand combat that amounts to a primal struggle for power. As usual with Mamet, the vehicle for that combat is crackling, highly distilled dialogue unencumbered by literary frills or phony theatrical ones. (Frank Rich, International Herald Tribune)
Series: Modern Classics
View allBook Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Praised for Mamet's distinctive use of everyday language and sharp dialogue, Oleanna incisively critiques dogmatic puritanism prevalent on and off campus. Critics highlight its intense, primal struggle for power and its thought-provoking ambiguity around communication and consent.
Book Details
INFORMATION
ISBN: 9780413626202
Publisher: Bloomsbury Publishing PLC
Format: Paperback / softback
Date Published: 24 June 1993
Country: United Kingdom
Imprint: Methuen Drama
Audience: Tertiary education
DIMENSIONS
Spine width: 6.0mm
Width: 126.0mm
Height: 202.0mm
Weight: 124g
Pages: 96
About the Author
David Mamet is one of the most distinctive voices on the contemporary American stage. He was born and had his first and many subsequent plays premiere in Chicago. His screenplays include: The Postman Always Rings Twice, The Verdict, The Untouchables, We're No Angels and Glengarry Glen Ross; he was writer and director for House of Games, Things Change and Homicide.
Also by David Mamet
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