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Anni Albers

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Anni Albers presents the first in-depth study of the monumental wall hanging Camino Real by Bauhaus master Anni Albers. Created in 1968 for Mexico City's Hotel Camino Real, this striking textile piece reflects Latin American influences and Albers's innovative approach to weaving. The book contextualises Camino Real alongside works made after her 1933 move to the United States, showcasing her pioneering transformation of textiles from craft into fine art through varied materials, scales, and techniques. Accompanying the 2019 David Zwirner exhibition in New York, the publication features new research by curator Brenda Danilowitz and art historian T’ai Smith.
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Format: Hardback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is ideal for enthusiasts of modern art, Bauhaus design, textile arts, and those interested in the evolution of craft into fine art. It will also appeal to readers invested in art history and contemporary curatorial scholarship.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

The first in-depth study of a monumental wall hanging, rediscovered after many years, by renowned Bauhaus artist Anni Albers.

Albers was influential in elevating textiles from craft to fine art. Her exquisite wall hanging Camino Real—seen for the first time outside of Mexico City at David Zwirner, New York, in 2019, and the subject of this book—is a superb example of this modern master's work.

In 1967, noted architects Ricardo Legorreta and Luis Barragán commissioned Albers to create a work for the newly built Hotel Camino Real in Mexico City. Completed in 1968, her striking wall hanging Camino Real is heavily influenced by Latin American art and culture. Showcasing Albers's approach to working with textiles as a "many-sided practice," it is accompanied in this book by works Albers made following her move to the United States in 1933, including innovative wall hangings, weavings, and a range of works on paper.

Together, these works reflect Albers's brilliant embrace of different materials and techniques and her ability to work at varied scales. The works in this publication offer additional context and motifs, demonstrating the artist's pioneering investment in textiles as an art form and her parallel interest in mass-produced designs.

Published on the occasion of the Anni Albers exhibition presented at David Zwirner, New York, in 2019, this catalogue features new scholarship from the show's curator, Brenda Danilowitz, art historian and chief curator of The Josef and Anni Albers Foundation, and T’ai Smith, an expert on Bauhaus craft and weaving.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Critics praise Albers as a seminal figure in 20th-century art and education. Artsy's Alina Cohen highlights her intricate patterns and role in art education, while Vanity Fair's Grace Edquist calls her a "quiet pioneer" whose work blurs form and function with a deep respect for material. The New York Times' Jason Farago names Camino Real as the highlight, describing its dynamic, syncopated pattern and recent rediscovery.

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Book Details

INFORMATION

ISBN: 9781644230428

Publisher: David Zwirner

Format: Hardback

Date Published: 15 October 2020

Country: United States

Imprint: David Zwirner

Illustration: 60 Illustrations, color

Audience: General / adult

DIMENSIONS

Width: 203.0mm

Height: 267.0mm

Weight: 770g

Pages: 128

About the Author

Known for her pioneering graphic wall hangings, weavings, and designs, Anni Albers(1899-1994) is considered one of the most important abstract artists of the twentieth century, as well as an influential designer, printmaker, and educator. Born in Berlin, she studied weaving at the Bauhaus beginning in 1922, eventually joining the faculty in 1929. Her innovative textiles from this period combined avant-garde geometric abstractions with weaving for the first time, creating works that were at once functional and aesthetic. Albers was deeply influenced by pre-Columbian art and textiles, which she encountered on trips to Mexico during her time teaching at Black Mountain College between 1933 and 1949.She went on to employ long-forgotten techniques discovered through her in-depth study and collection of these works, leading eventually to the creation of her pictorial weavings of the 1950s.

Brenda Danilowitz is an art historian and chief curator at The Josef and Anni Albers Foundation. She is the author and editor of numerous books and essays on the work of Josef and Anni Albers and has organized exhibitions of their work in the United States, Europe, Mexico, and Latin America.

T'ai Smith is an associate professor of art history at The University of British Columbia, Vancouver. The author of Bauhaus Weaving Theory: From Feminine Craft to Mode of Design (2014), she has lectured internationally on textile media and design in modern art and philosophy.

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