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Anni Albers

Notebook 1970โ€“1980
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Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Anni Albers offers a superb facsimile of the only known notebook of the legendary artist Anni Albers, providing rare insight into her creative methodology. From 1972 to 1980, Albers filled her graph-paper notebook with intricate drawings, exploring complex patterns line by line and piece by piece. This visually dramatic collection reveals her progression as a draftsman and her exploration of large graphic works and late knot drawings. An afterword by Brenda Danilowitz contextualises the notebook, highlighting the importance of these studies in the evolution of her art.
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Format: Paperback / softback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This publication will fascinate artists, designers, textile enthusiasts, and students of modern art who are interested in the intersection of craft and visual experimentation.

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A superb facsimile of the only known notebook of legendary artist Anni Albers, this publication offers insight into the methodology of a modern master.

A superb facsimile of the only known notebook of legendary artist Anni Albers, this publication offers insight into the methodology of a modern master.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

A superb facsimile of the only known notebook of legendary artist Anni Albers, this publication offers insight into the methodology of a modern master.

Beginning in 1972, Anni Albers filled her graph-paper notebook regularly until 1980. This rare and previously unpublished document of her working process contains intricate drawings for her large body of graphic work, as well as studies for her late knot drawings. The notebook follows Albers's deliberations and progression as a draftsman in their original form.

It reveals the way she went about making complex patterns, exploring them piece by piece, line by line in a visually dramatic and mysteriously beautiful series of geometric arrangements.

An afterword by Brenda Danilowitz, Chief Curator of The Josef and Anni Albers Foundation, contextualises the notebook and explores the role studies played in the development of her work.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Critics praise the book for its intricate, enigmatic sketches that showcase Albers's meticulous attention to pattern and form. Described as "filled with drawings of knots, curving lines and intricate patterns" by The Wall Street Journal, and noted for their "psychedelic intensity" by Elephant, the drawings reveal a philosophy of learning through form. The New York Review of Books highlights the sparse and thoughtful nature of the sketches, while BOOKFORUM commends the precision and craft evident in her studies.

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Book Details

INFORMATION

ISBN: 9781941701744

Publisher: David Zwirner

Format: Paperback / softback

Date Published: 23 November 2017

Country: United States

Imprint: David Zwirner

Illustration: Illustrated throughout

Audience: General / adult

DIMENSIONS

Width: 254.0mm

Height: 198.0mm

Weight: 530g

Pages: 152

About the Author

Anni Albers (1899-1994) was a textile artist, designer, printmaker, and educator known for her pioneering graphic wall hangings, weavings, and designs. She was born in Berlin, and studied painting under German Impressionist Martin Brandenburg from 1916 to 1919. After attending the Kunstgewerbeschule in Hamburg for two months in 1920, she enrolled at the Bauhaus in 1922 and joined the faculty in 1929. At Black Mountain College from 1933 to 1949 she elaborated on the technical innovations she devised at the Bauhaus, developing a specialized curriculum that integrated weaving and industrial design. In 1949 she became the first designer to have a one-person show at The Museum of Modern Art, New York; the exhibition Anni Albers: Textiles subsequently traveled to 26 venues throughout the United States and Canada. Her seminal book On Weaving, published in 1965, helped to establish design studies as an area of academic and aesthetic inquiry and solidified her status as the single most influential textile artist of the twentieth century.

Brenda Danilowitz is an art historian and chief curator at the Josef and Anni Albers Foundation. She is the author and editor of numerous books and essays on the work of Josef and Anni Albers and has organized exhibitions of their work in the US, Europe, Mexico, and Latin America. She has also published essays and articles on twentieth century Southern African art and artists including photographer Constance Stuart Larrabee and printmakers John Muafangejo and Azaria Mbatha.

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