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Art for All

Art History
Brief Description
A comprehensive volume covering five seminal genres that shaped art, from the late 19th century and well into the 20th: Impressionism, Expressionism, Surrealism, Abstract Expressionism and Pop Art. Each approach was distinct in aesthetic and philosophy, but all had immediate impact and enduring influence. Many great... Read More
Format: Hardback
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Explore five movements that revolutionized art: Impressionism, Expressionism, Surrealism, Abstract Expressionism, and Pop Art. From Monet's shimmering water lilies and the wild dreams of Dalí to Lichtenstein's high-impact comic-book aesthetics, this collection unpacks the rebellious ideas and works that reframed how the world views art itself.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

A comprehensive volume covering five seminal genres that shaped art, from the late 19th century and well into the 20th: Impressionism, Expressionism, Surrealism, Abstract Expressionism and Pop Art. Each approach was distinct in aesthetic and philosophy, but all had immediate impact and enduring influence. Many great names were indelibly associated with one, some explored several during their careers.

Impressionism, led by Monet and Renoir, focused on light and colour, capturing fleeting moments and challenging academic art's rigidity. Expressionism was driven by artists like Edvard Munch and Wassily Kandinsky to convey raw emotion, distorting reality to reflect the angst of human experience. Surrealists, like Salvador Dalí and René Magritte, explored the subconscious, dreams, and the irrational, blending reality with fantasy across art, literature, and film. With Jackson Pollock and Mark Rothko leading the charge, Abstract Expressionism emphasized spontaneity and emotion through bold, gestural brushstrokes, and established New York as the post-war art world's new Mecca. Finally, artists like Roy Lichtenstein and Andy Warhol gained fame and dominated the zeitgeist by synthesising advertising, pop culture, and high art into Pop Art.

Though diverse, these movements collectively pushed the boundaries of creativity, redefined artistic expression, and altered the trajectory of contemporary art. This lavish edition celebrates their stories, featuring more than 250 high-quality reproductions and texts, exploring how each movement's ideas and innovations transformed art forever.

Book Details

INFORMATION

ISBN: 9783754401453

Publisher: Taschen GmbH

Format: Hardback

Date Published: 05 February 2026

Country: Germany

Imprint: Taschen GmbH

Contributors:

  • Edited by Taschen

Audience: General / adult

DIMENSIONS

Spine width: 38.0mm

Width: 170.0mm

Height: 240.0mm

Weight: 1498g

Pages: 504

About the Author

Andrea Kettenmann studied art history in Göttingen and Hamburg before joining the art history department of the University of Hamburg. She has published widely on Frida Kahlo and has contributed to numerous exhibitions and catalogues. She works as a freelance art historian in Mexico City, where she has lived for many years. Gilles Néret (1933–2005) was an art historian, journalist, writer, and museum correspondent. He organized several art retrospectives in Japan and founded the SEIBU Museum and the Wildenstein Gallery in Tokyo. He directed art reviews such as L'Œil and Connaissance des Arts and received the Élie Faure Prize in 1981 for his publications. His TASCHEN titles include Salvador Dalí: The Paintings, Matisse, and Erotica Universalis. Janis Mink studied art history at Smith College and the University of Hamburg. She works as an adjunct professor, writer, and curator. Marcel Paquet (1947–2014) obtained his doctorate in 1978 from the Free University of Brussels with a thesis entitled La différence des penseés de Kant et de Hegel dans la question de l’essence de l’art. He published a number of books on such subjects as Paul Delvaux, Fernando Botero, and Hans Bellmer. Ulrich Bischoff is an art historian and writer. From 1994 to 2013, he worked as director of the Gemäldegalerie Neue Meister at the Staatliche Kunstsammlungen Dresden. He has published extensively in the areas of classical modernity and contemporary art.

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