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Clyfford Still - The Artists Materials

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This groundbreaking study investigates the close and paradoxical relationship of art and race during the Enlightenment. French art historian Anne Lafont examines the complexities and contradictions in Enlightenment-era ideas about race through a detailed analysis of eighteenth-century art, highlighting both the marginalisation and dignified representation of Black individuals.

Focusing on works such as Anne-Louis Girodet's Portrait of Jean-Baptiste Belley (1797), the book showcases how art reflected broader intellectual debates about freedom, equality, and universal human rights amidst the realities of colonialism.
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Clyfford Still - The Artists Materials is ideal for readers interested in art history, Enlightenment philosophy, and racial representation in visual culture, as well as scholars and students in the fields of Arts & Culture.

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This groundbreaking book provides the first detailed account of the materials and techniques of perhaps the most radical-and, until now, least studied-major American Abstract Expressionist.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Clyfford Still - The Artists Materials by Barbara A. Ramsay and Susan F. Lake is a meticulous exploration into the unique techniques and materials used by the American abstract expressionist Clyfford Still. Known for his grand and gestural works, Still's approach to art-making was both innovative and complex.

The book delves into Still's experimentation with various types of canvas and his application of paint in thick layers which contribute to the tactility and luminosity of his works. Ramsay and Lake take a forensic approach, revealing insights into Still's preferences for certain pigments, mediums, and the layering techniques that defined his canvases.

This publication is essential for those interested in the intersection of art history and material science, providing a groundbreaking look at the seldom-documented intersection of artistic intent and material execution. By focusing on Still's artistic materials, the authors shed light on the broader field of conservation and art history, offering a richer understanding of an artist who sought to redefine the essence of painting.

For art enthusiasts, historians, and conservationists alike, Clyfford Still - The Artists Materials presents a compelling narrative that bridges the gap between the tactile nature of art and the theoretical realms of artist intention and audience perception.

Series: Getty Publications -

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  • Clyfford Still - The Artists Materials
    Clyfford Still - The Artists Materials by Barbara A. Ramsay and Susan F. Lake is a meticulous exploration into the unique techniques and materials used by the American abstract expressionist Clyfford Still. Known for his grand and gestural works, Still's approach to art-making was both innovative and complex. The book delves into Still's experimentation with various types of canvas and...
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Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

β€œReading this book will make you want to rush to the Clyfford Still Museum in Denver, equipped with the wealth of knowledge the authors provide, to immerse yourself in the oeuvre of this formidable artist. For those who cannot do so, this richly illustrated volume offers a fantastic journey into Still’s singular life and work, with close-ups showing details of the paintings as if you were standing in front of them.” – Marie-Claude Corbeil

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Book Details

INFORMATION

ISBN: 9781606066959

Publisher: Getty Trust Publications

Format: Paperback / softback

Date Published: 05 April 2022

Country: United States

Imprint: Getty Publications

Audience: Professional and scholarly

DIMENSIONS

Spine width: 15.0mm

Width: 150.0mm

Height: 250.0mm

Weight: 666g

Pages: 168

About the Author

Susan F. Lake recently retired from her position as director of collection management and chief conservator at the Hirshhorn Museum and Sculpture Garden in Washington, DC Barbara A. Ramsay is chief conservator at the John and Mable Ringling Museum of Art. She was the first conservator for the Clyfford Still and Patricia Al Still Estate.

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