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Ngarn Wa’ngal

Art of the Gum Tree
Brief Description
Ngarn Wa’ngal: Art of the Gum Tree is a landmark publication dedicated to the eucalypt and the art it inspires. It traces the gum tree through art history and contemporary practice, engaging with Indigenous sovereignty, Australian identity, nationalism, climate change, land management and the tree's global... Read More
Format: Hardback
$7999
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Releases 15th September 2026 (Approx. Date) Pre-order  "Ngarn Wa’ngal" now to secure your copy from our first shipment

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Ngarn Wa’ngal: Art of the Gum Tree is a landmark publication dedicated to the eucalypt and the art it inspires. It traces the gum tree through art history and contemporary practice, engaging with Indigenous sovereignty, Australian identity, nationalism, climate change, land management and the tree's global impact.

Richly illustrated, the book features a range of contributors, from artists, Aboriginal Elders and art historians to ecologists, poets and writers who share their responses to this iconic Australian symbol. It charts the gum tree's ever-evolving significance in art, culture, ecology and wider society.

The title Ngarn Wa’ngal was gifted by Wurundjeri Elder Uncle Bill Nicholson and translates as "breathing for us".

Book Details

INFORMATION

ISBN: 9780522882520

Publisher: Melbourne University Press

Format: Hardback

Date Published: 15 September 2026

Country: Australia

Imprint: Melbourne University Press

Audience: General / adult, Professional and scholarly

DIMENSIONS

Width: 205.0mm

Height: 265.0mm

Weight: 0g

Pages: 304

About the Author

Alisa Bunbury is Senior Curator, Grimwade Collection, at the University of Melbourne, and has previously worked as a curator at the National Gallery of Victoria and Art Gallery of South Australia. Her interests include a specialisation in colonial art history and evolving creative responses to Australia's natural history.

Sophie Gerhard is Curator of Australian and First Nations Art at the National Gallery of Victoria. Her curatorial interests include conversations surrounding national identity and colonialism within Australian art history. She is a PhD candidate at the University of Melbourne, with her research focusing on the emotion of shame and its role within Australian and First Nations art.

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