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Writing in Coffee Shops

Confessions of a Playwright
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( 13 ratings, 1 reviews)
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Writing in Coffee Shops by Ryan Craig is a vibrant and often humorous guide to the art and craft of playwriting. The author takes readers on the complete journey from the initial spark of an idea, often imagined while sitting in a coffee shop, through to seeing the play staged and reviewed. Drawing on his extensive experience in theatre, television, and radio, Craig explores the practical tools needed to write plays that resonate in our fractured and distracted contemporary world. This book interweaves reflections on identity, class, race, and the creative process alongside practical advice, making it both a handbook and a call-to-arms for playwrights.
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Format: Paperback / softback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is ideal for aspiring and practising playwrights, theatre makers, and anyone interested in contemporary theatre. It also appeals to readers curious about the creative process behind playwriting and the role of theatre in addressing social and political issues.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

What makes someone a playwright?

How do their identities and ideas interweave and co-exist?

What permanent truths can we discern from examining existing texts?

How can we write theatre that encapsulates the contemporary moment?

How do we develop an idea from the embryonic impulse to a full and robust piece of theatre?

In this fresh, lively and often very funny book, playwright Ryan Craig makes a case for the vitality of playwriting in our contemporary world and offers a way into writing those plays.

From the very first moment of the process, as you sit in a coffee shop, staring at your 'laptop yawning open like some big, gormless mouth, the screen a flickering blank', to seeing your play staged and reviewed, the author takes you through the complete journey.

Drawing on his own experience of writing for theatres such as the National, Hampstead, Tricycle, and Menier Chocolate Factory, TV drama scripts for BBC, ITV, and Channel Four, radio plays and adaptation, as well as commercial theatre, the author explores what practical tools the dramatist can use to write plays that build bridges between us.

Full of practical advice for the aspiring - and practising - playwright, Writing in Coffee Shops is also an important call-to-arms for playwrights everywhere, arguing for its necessity in the context of an increasingly fractured, distracted, disconnected world.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Praised by theatre professionals including Edward Hall and Rebecca Lenkiewicz, Writing in Coffee Shops is acclaimed for demystifying playwriting with candour and immediacy. Reviewers note its mix of memoir, philosophy, and practical advice, calling it a vital companion for playwrights and theatre makers. The British Theatre Guide describes it as an excellent, slightly offbeat manual that also contains contemporary social and political commentary. It is celebrated for its insightful and passionate approach to creating theatre in today's world.

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Book Details

INFORMATION

ISBN: 9781350190849

Publisher: Bloomsbury Publishing PLC

Format: Paperback / softback

Date Published: 11 February 2021

Country: United Kingdom

Imprint: Methuen Drama

Audience: Tertiary education

DIMENSIONS

Spine width: 12.0mm

Width: 138.0mm

Height: 216.0mm

Weight: 180g

Pages: 136

About the Author

Ryan Craig is a British playwright, screen, television and radio writer whose plays usually involve both ethical and social matters. He is best known for his plays What We Did To Weinstein (Menier Chocolate Factory, London, 2005) which earned him a Most Promising Playwright Nomination at the Evening Standard Awards; The Glass Room (Hampstead Theatre, 2006), which deals with Holocaust denial; the English version of Tadeusz Slobodzianek's Our Class (2009), The Holy Rosenbergs (2011), both at the National Theatre and the semi-autobiographical Filthy Business (2017, Hampstead Theatre, London).

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