William Eggleston Portraits
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See moreWilliam Eggleston's photographs are special for their eccentric, unexpected compositions, playfulness, implied narrative and, above all, his portrayals of people. This title accompanies the first exhibition to explore Eggleston's pictures of people. It includes works that span his career from the 1950s onwards.
William Eggleston: Portraits accompanies the first exhibition to explore Eggleston's pictures of people. Works included span his career from the 1950s through to his well-‐known portraits of the 1970s to the present day. The catalogue includes an essay, chronology and beautifully reproduced exhibition plates, as well as a series of revealing interviews with Eggleston and his close family members, conducted in Memphis by exhibition curator Phillip Prodger.
I want to make a picture that could stand on its own, regardless of what it was a picture of. I've never been a bit interested in the fact that this was a picture of a blues musician or a street corner or something. - William Eggleston
William Eggleston's photographs are special for their eccentric, unexpected compositions, playfulness, implied narrative and, above all, his portrayals of people. Over the past half-century, he has created a powerful and enduring body of work featuring friends and family, musicians, artists, and others.
Eggleston frequented the 1970s Memphis club scene, developing friendships and getting to know musicians, including Ike Turner, Alex Chilton, and others. His fascination with nightclub culture resulted in the experimental video Stranded in Canton (2005), which chronicles visits to bars in Memphis, Mississippi, and New Orleans.
At the same time, he encountered and photographed the likes of Dennis Hopper, Eudora Welty, and Walter Hopps. For a brief moment, Eggleston even entered the Warhol Factory scene, dating the Warhol protégé, Viva.
William Eggleston: Portraits accompanies the first exhibition to explore Eggleston's pictures of people. Works included span his career from the 1950s through to his well-known portraits of the 1970s to the present day.
The catalogue includes an essay, chronology, and beautifully reproduced exhibition plates, as well as a series of revealing interviews with Eggleston and his close family members, conducted in Memphis by exhibition curator Phillip Prodger.
Book Details
INFORMATION
ISBN: 9781855147102
Publisher: National Portrait Gallery Publications
Format: Hardback
Date Published: 22 July 2016
Country: United Kingdom
Imprint: National Portrait Gallery Publications
Illustration: Illustrated in colour and black and white throughout
Audience: General / adult
DIMENSIONS
Width: 272.0mm
Height: 280.0mm
Weight: 1600g
Pages: 184
Collections
About the Author
Phillip Prodger is a curator, author and art historian. Currently Executive Director of Curatorial Exhibitions in Los Angeles, he was formerly Head of Photographs at the National Portrait Gallery, London and founding Curator of Photography at the Peabody Essex Museum in Salem, Massachusetts. His previous books include William Eggleston Portraits, Darwin’s Camera: Art and Photography in the Theory of Evolution and Man Ray | Lee Miller: Partners in Surrealism.
Also by Phillip Prodger
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