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Visualizing Feeling
Affect and the Feminine Avant-garde
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Visualizing Feeling
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
This book is ideal for students, scholars, and enthusiasts of contemporary art, women artists, and those interested in the intersection of emotion and aesthetics in art history.
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See moreIs late modern art 'anti-aesthetic'? What does it mean to label a piece of art 'affectless'? These traditional characterisations of 1960s and 1970s art are radically challenged in this subversive art history. By introducing feeling to the analysis of this period, Susan Best acknowledges the radical and exploratory nature of art in late modernism.
Is late modern art 'anti-aesthetic'? What does it mean to label a piece of art 'affectless'? These traditional characterisations of 1960s and 1970s art are radically challenged in this subversive art history. By introducing feeling to the analysis of this period, Susan Best acknowledges the radical and exploratory nature of art in late modernism.
Book Hero Magic formatted this description to make it easier to read. While it's new and
still learning, it may not be perfect - your
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Description
Is late modern art 'anti-aesthetic'? What does it mean to label a piece of art 'affectless'? These traditional characterisations of 1960s and 1970s art are radically challenged in this subversive art history.
By introducing feeling to the analysis of this period, Susan Best acknowledges the radical and exploratory nature of art in late modernism. Visualizing Feeling focuses on four highly influential female artists—Eva Hesse, Lygia Clark, Ana Mendieta and Theresa Hak Kyung Cha—and explores how their art transformed established avant-garde protocols by introducing an affective dimension. This aspect of their work, while often noted, has never before been analysed in detail.
Visualizing Feeling also addresses a methodological blind spot in art history: the interpretation of feeling, emotion and affect. It demonstrates that the affective dimension, alongside other materials and methods of art, is part of the artistic means of production and innovation. This is the first thorough re-appraisal of aesthetic engagement with affect in post-1960s art.
Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Praised for lifting the 'ban on affect' in art criticism, this book is hailed by Thierry de Duve as a convincing demonstration that all art movements, including minimal and conceptual art, are aesthetic and emotional. Dr Ann Stephen commends it for recovering feeling and emotion in late modern art, especially highlighting the feminine and aesthetic aspects often overlooked.
Book Details
INFORMATION
ISBN: 9781780767093
Publisher: Bloomsbury Publishing PLC
Format: Paperback / softback
Date Published: 11 December 2013
Country: United Kingdom
Imprint: I.B. Tauris
Illustration: 27 bw integrated
Audience: General / adult
DIMENSIONS
Width: 156.0mm
Height: 234.0mm
Weight: 285g
Pages: 208
Collections
About the Author
Susan Best is Professor of Art Theory, Queensland College of Art, Griffith University. Her research focuses on modern and contemporary art, with a particular emphasis on women's art, conceptual art and South American art.
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