Unsound Supplies

About the Author

Fanny Gribenski is Assistant Professor of Music at New York University. She is the author of L'Église comme lieu de concert (2019) and Tuning the World (2023). Her current research examines the relationships between musical instruments, ecology, and empire. Gribenski has been a fellow of the Thiers Foundation, the Fulbright Commission, and the Huntington Library, and has worked as a research scholar at the Max Planck Institute for the History of Science, Berlin, and the French National Scientific Research Center (CNRS) and IRCAM, Paris. David Pantalony is Curator of Science and Medicine at Ingenium - Canada's Museums of Science and Innovation, and has been a research fellow at the Smithsonian Institution, the Dibner Institute at MIT, and the Max Planck Institute for the History of Science in Berlin. He was awarded the Bunge Prize for his book on the acoustical instrument maker Rudolph Koenig. Pantalony's current research focusses on the history of the precision instrument industry in Canada. He is adjunct professor in the University of Ottawa's History Department, where he has taught collection-based seminars on provenance. Viktoria Tkaczyk is Professor of Media and Knowledge Technologies at Humboldt-Universität zu Berlin, where she also leads the Research Center "Applied Humanities: Genealogy and Politics." Her academic career includes positions and fellowships at Freie Universität Berlin, the University of Amsterdam, the Laboratoire SPHERE in Paris, the Max Planck Institute for the History of Science in Berlin, and Princeton University. She has published widely on the history of early modern and modern aviation, architecture, acoustics, neuroscience, experimental aesthetics, and sound media. Her current research explores the relationship between concepts of humanity and of technology.