Transpacific Nonencounters
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Transpacific Nonencounters
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See moreTranspacific Nonencounters works across the seemingly unconnected histories of race and nation in modern Mexico and Japan, showing the commonalities in the way race figures in their state and social formations through a method Andrea Mendoza calls the theory of nonencounter.
In Transpacific Nonencounters, Andrea Mendoza works across the seemingly unconnected histories of race and nation in modern Mexico and Japan, showing the commonalities in the way race figures in their state and social formations through a method Mendoza calls the theory of nonencounter.
Intellectual and cultural productions of racial knowledge were important for the formation of the modernizing Mexican and Japanese states at the beginning of the twentieth century. These productions helped conceive the project of national modernity through ideologies that promoted multiracial and multiethnic belongingβmestizaje and Pan-Asian co-prosperity.
Despite the diasporic, economic, and political points of contact that connected these states throughout the twentieth century, traditional Eurocentric comparative and area-based studies treat the formations and legacies of Mexican mestizo nationalism and Japanese imperialism as wholly unrelated phenomena.
Transpacific Nonencounters proposes a theory of nonencounter to formulate the logic of disciplinary disconnection, offering a framework and hermeneutic for a transpacific account of how Japanese imperialism and Mexican mestizo settler nationalism structured and reinforced one another through the modern formations of race and racism.
Book Details
INFORMATION
ISBN: 9781478033738
Publisher: Duke University Press
Format: Hardback
Date Published: 14 April 2026
Country: United States
Imprint: Duke University Press
Audience: Professional and scholarly
DIMENSIONS
Width: 152.0mm
Height: 229.0mm
Weight: 449g
Pages: 208
About the Author
Andrea Mendoza is Assistant Professor of Japanese and Comparative Literature at the University of California, San Diego.
Also by Andrea Mendoza
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