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The Mobile Image from Watteau to Boucher
Brief Description
Reframing long-held assumptions about what distinguishes fine from decorative art, this innovative study explores a mode of making, seeing, and thinking that slices across eighteenth-century visual culture. This book provides a new way of thinking about eighteenth-century French art and visual culture by prioritising production over...
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The Mobile Image from Watteau to Boucher
$11999
Unit price
/
Unavailable
Reframing long-held assumptions about what distinguishes fine from decorative art, this innovative study explores a mode of making, seeing, and thinking that slices across eighteenth-century visual culture.
This book provides a new way of thinking about eighteenth-century French art and visual culture. Reframing long-held assumptions about what distinguishes fine from decorative art, this innovative study explores a mode of making, seeing, and thinking around the "mobile image": motifs with specific formal properties that were effectively engineered for mobility.
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Description
Reframing long-held assumptions about what distinguishes fine from decorative art, this innovative study explores a mode of making, seeing, and thinking that slices across eighteenth-century visual culture.
This book provides a new way of thinking about eighteenth-century French art and visual culture by prioritising production over reception. Abandoning the ideologically driven discourse that distinguished fine from decorative art between the 1690s and 1770s, The Mobile Image reveals how the two have been inextricably bound from the earliest stages of artistic instruction through the daily life of painters' workshops.
In this study, author David Pullins defines artisanal and artistic means of learning, seeing, and making through a system of "mobile images": motifs that were effectively engineered for mobility and designed never to be definitive, always awaiting replication and circulation. He examines the careers of Antoine Watteau, Jean-Baptiste Oudry, and François Boucher, situating them against a much broader cast of actors—such as printmakers, publishers, anonymous studio assistants, and architects, among others—to place eighteenth-century painting within a wider context of media and making.
Book Details
INFORMATION
ISBN: 9781606068885
Publisher: Getty Trust Publications
Format: Paperback / softback
Date Published: 13 August 2024
Country: United States
Imprint: Getty Research Institute,U.S.
Illustration: 115 color and 30 black and white images
Audience: Tertiary education
DIMENSIONS
Width: 191.0mm
Height: 254.0mm
Weight: 250g
Pages: 208
Collections
About the Author
David Pullins is Jayne Wrightsman Curator at the Metropolitan Museum of Art, where he is responsible for seventeenth-and eighteenth-century French, Italian, and Spanish painting.
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