The Graphic Language of Neville Brody 3
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The Graphic Language of Neville Brody 3
Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
A follow-up to two highly successful monographs on the work of one of the most important designers of his generation, showcasing projects completed since the mid-1990s.
The long-awaited third monograph on the work of the most important British designer of his generation, showcasing projects from the last thirty years of his career
The long-awaited third monograph on the work of the most important British designer of his generation, showcasing projects from the last thirty years of his career.
Neville Brody's work sits at the intersections between graphic design, communication design and graphic art, pushing boundaries and blurring lines between them as he fuses influences from art, design, fashion, music, low and high cultures. Brody has been one of the most consistently innovative and shapeshifting graphic designers of the past fifty years.
He has produced a body of commercial work covering editorial, brand identity, typography, systems, information and interface design of unparalleled boldness and sophistication for global clients that include Shiseido, Coca-Cola, Samsung, Nikon, LVMH, Nike and Dom Perignon, and UK clients such as the BBC, Channel 4, Tate Modern and The Times.
The Graphic Language of Neville Brody 3 also captures a body of one-off creative works and site-specific collaborations that are motivated by creativity, political and cultural viewpoints, provocation, and expression.
The Graphic Language of Neville Brody 3 brings almost thirty years of work together in thematic sections that address the key fields of his vibrant design projects, including typographic experimentation, cultural subversion, and design systems. Richly illustrated, each project is explored in detail, revealing the work that has defined Brody's recent practice across six chapters, from major brands to magazine editorials and features.
This book reveals how Brody's design language has been informed, evolved and remarkably stayed true to key themes and ideas throughout his career to date. Brody has produced a rich, dynamic and surprising body of new work that will attract a new generation of designers and art directors. This inspirational volume will be essential reading for anyone interested in the evolution of graphic design over the past three decades.
Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
The Graphic Language of Neville Brody 3 is praised for being a bold and brave exploration of Brody's influential design work. The Observer highlights it as an unmistakable reflection of Brody's unique style, cementing his place as a visionary in the realm of graphic design.
Book Details
INFORMATION
ISBN: 9780500295267
Publisher: Thames & Hudson Ltd
Format: Paperback / softback
Date Published: 25 May 2023
Country: United Kingdom
Imprint: Thames & Hudson Ltd
Illustration: 800 Illustrations, color
Contributors:
- Foreword by Steven Heller
- Text by Jo-Ann Furniss
- Text by Naomi Hirayabashi
Audience: General / adult
DIMENSIONS
Width: 250.0mm
Height: 302.0mm
Weight: 2400g
Pages: 352
Collections
About the Author
Neville Brody is a globally acclaimed creative director, designer, typographer and brand strategist, whose career spans over four decades. Well-known internationally for his iconic work on album sleeve designs and as art director for The Face and Arena, he has also worked on major projects for the BBC, The Times, Tate and Channel 4.
Adrian Shaughnessy is a graphic designer, writer and publisher based in London. He is a senior tutor in Visual Communication at the Royal College of Art. His previous books include How to be a Graphic Designer Without Losing Your Soul and Graphic Design: A User's Manual.
Steven Heller is a graphic designer, art director, art critic and author. For over thirty years he held the position of senior art director at New York Times Book Review and U&lc magazine. He has authored and co-authored over 200 books on design and popular culture.
Jo-Ann Furniss is an editor, creative director and writer based in Leigh-on-Sea who has worked on The Face, i-D and Arena Homme+ amongst many other key titles.
Naomi Hirabayashi is a Tokyo-based graphic designer and art director involved in creative direction, branding, visual identity, corporate identity systems, and design for apparel brands, stores, musicians and many other fields.
Also by Adrian Shaughnessy
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