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The Essay Film
Dialogue, Politics, Utopia
Series: Nonfictions
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The Essay Film
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
This book is ideal for scholars, students, and cinephiles interested in film theory, experimental cinema, and interdisciplinary cultural studies.
The essay film as a visual form raises new questions about the construction of the subject, its relationship to the world, and the aesthetic possibilities of cinema. This volume examines the potential of the essayistic to question, investigate, and reflect on all forms of cinema.
Book Hero Magic formatted this description to make it easier to read. While it's new and
still learning, it may not be perfect - your
feedback is welcome!
Description
With its increasing presence in a continuously evolving media environment, the essay film as a visual form raises new questions about the construction of the subject, its relationship to the world, and the aesthetic possibilities of cinema. In this volume, authors specialising in various national cinemas (Cuban, French, German, Israeli, Italian, Lebanese, Polish, Russian, American) and critical approaches (historical, aesthetic, postcolonial, feminist, philosophical) explore the essay film and its consequences for the theory of cinema while building on and challenging existing theories.
Taking as a guiding principle the essay form's dialogic, fluid nature, the volume examines the potential of the essayistic to question, investigate, and reflect on all forms of cinema—fiction film, popular cinema, and documentary, video installation, and digital essay.
A wide range of filmmakers are covered, from Dziga Vertov (Man with a Movie Camera, 1928), Chris Marker (Description of a Struggle, 1960), Nicolás Guillén Landrián (Coffea Arábiga, 1968), Pier Paolo Pasolini (Notes for an African Oresteia, 1969), Chantal Akerman (News from Home, 1976) and Jean-Luc Godard (Notre musique, 2004) to Nanni Moretti (Palombella Rossa, 1989), Mohammed Soueid (Civil War, 2002), Claire Denis (L'Intrus, 2004) and Terrence Malick (The Tree of Life, 2011), among others. The volume argues that the essayistic in film—as process, as experience, as experiment—opens the road to key issues faced by the individual in relation to the collective, but can also lead to its own subversion, as a form of dialectical thought that gravitates towards crisis.
Series: Nonfictions
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Filming History from Below
Traditional historical documentaries strive to project a sense of objectivity, producing a top-down view of history that focuses on public events and personalities. In recent decades, in line with historiographical trends advocating "history from below," a different type of historical documentary has emerged, focusing on tightly circumscribed subjects, personal archives, and first-person perspectives. Efrén Cuevas categorizes these films as "microhistorical...Paperback$5699Unit price /UnavailableAvailableShips in 3-4 weeks -
The Essay Film
With its increasing presence in a continuously evolving media environment, the essay film as a visual form raises new questions about the construction of the subject, its relationship to the world, and the aesthetic possibilities of cinema. In this volume, authors specialising in various national cinemas (Cuban, French, German, Israeli, Italian, Lebanese, Polish, Russian, American) and critical approaches (historical, aesthetic,...Paperback$4999Unit price /UnavailableAvailableShips in 3-4 weeks -
Voyages of Discovery
Frederick Wiseman is America's foremost chronicler of public institutions. His films have focused on city, state, and local governments; hospitals; asylums; creative organizations and museums; schools; libraries; and more. In recent years, Wiseman's work has reached a new level of popularity, with films such as In Jackson Heights (2015), Monrovia, Indiana (2018), and City Hall (2020) all earning widespread acclaim....Paperback$12000Unit price /UnavailableAvailableShips in 2-3 weeks
Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Dan Geva, from Haifa University and a documentary filmmaker, praises the book for moving cinema studies beyond traditional genres, offering a profound and well-researched reflection on the philosophical depths of filmmaking. He highlights its clear and insightful approach to the spiritual and intellectual scope of the essay film, describing the collection as a key milestone for ongoing critical debate.
Book Details
INFORMATION
ISBN: 9780231176958
Publisher: Columbia University Press
Format: Paperback / softback
Date Published: 08 November 2016
Country: United States
Imprint: Wallflower Press
Illustration: 24 b&w illustrations
Contributors:
- Edited by Elizabeth Papazian
- Edited by Caroline Eades
Audience: Tertiary education
DIMENSIONS
Width: 152.0mm
Height: 229.0mm
Weight: 250g
Pages: 216
Collections
About the Author
Elizabeth A. Papazian is associate professor of Russian and film studies at the University of Maryland, College Park. She is the author of Manufacturing Truth: The Documentary Moment in Early Soviet Culture (2009). Caroline Eades is associate professor of French and film studies at the University of Maryland, College Park. She is the author of Le Cinema post-colonial francais (2006).
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