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The Dream of Absolutism

Louis XIV and the Logic of Modernity
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
The Dream of Absolutism by Hall Bjørnstad delves into the history and ideology of political absolutism, exploring how this form of governance sought to centralise power and dictate public life in early modern Europe. The book examines the philosophical underpinnings and cultural representations of absolutism, offering insights into its attractiveness and challenges through historical contexts and intellectual discourse.
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Format: Paperback / softback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book may appeal to you if you have an interest in exploring the nuanced perspectives on political power, particularly the complexities and innovations of absolutism in early modern Europe. It delves into the cultural and intellectual ramifications of absolute monarchy, providing a detailed analysis that will captivate history enthusiasts curious about the impact and evolution of this period.

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The Dream of Absolutism examines the political aesthetics of power under Louis XIV.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

The Dream of Absolutism examines the political aesthetics of power under Louis XIV.

What was absolutism, and how did it work? What was the function of the ostentatious display surrounding Louis XIV at Versailles? What is gained—and what is lost—by approaching such expressions of absolutism as propaganda, as present-day scholars tend to do?

In this sweeping reconsideration of absolutist culture, Hall Bjørnstad argues that the exuberance of Louis XIV’s reign was not top-down propaganda in any modern sense, but rather a dream dreamt collectively, by king, court, image-makers, and nation alike. Bjørnstad explores this dream through a sustained close analysis of a corpus of absolutist artifacts, ranging from Charles Le Brun’s famous paintings in the Hall of Mirrors at Versailles via the king’s secret Mémoires to two little-known particularly extravagant verbal and textual celebrations of the king.

The dream of absolutism, Bjørnstad concludes, lives at the intersection of politics and aesthetics. It is the carrier of a force that emerges as a glorious image; a participatory emotional reality that requires reality to conform to it. It is a dream, finally, that still shapes our collective political imaginary today.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

The Dream of Absolutism by Hall Bjørnstad is praised for its innovative and incisive exploration of seventeenth-century French political aesthetics, challenging traditional scholarly consensus. Critics highlight the book's success in illustrating absolutism as a collectively dreamt culture, which contributes to an understanding of monarchical representation beyond ideological constraints. Through a vivid analysis of texts and images, Bjørnstad examines the persistent allure and underlying irrationalities of absolutism, offering insights relevant to both historical and modern contexts.

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Book Details

INFORMATION

ISBN: 9780226803838

Publisher: The University of Chicago Press

Format: Paperback / softback

Date Published: 15 October 2021

Country: United States

Imprint: University of Chicago Press

Audience: General / adult

DIMENSIONS

Width: 152.0mm

Height: 229.0mm

Weight: 250g

Pages: 256

About the Author

Hall Bjørnstad is associate professor of French at Indiana University, Bloomington, where he also directs the Renaissance Studies Program. He is the author of a monograph on Blaise Pascal, coeditor of Walter Benjamin’s Hypothetical French Trauerspiel and Universal History and the Making of the Global, and the editor of Borrowed Feathers: Plagiarism and the Limits of Imitation in Early Modern Europe.

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