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The Domestic Interior and the Self in Contemporary Photography
Series: Routledge History of Photography
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Format: Hardback
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The Domestic Interior and the Self in Contemporary Photography
$35300
Unit price
/
Unavailable
Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
Ideal for scholars and students of photographic history, art history, visual studies, and those interested in contemporary photographic practices and autobiographical narratives.
By carefully conceptualizing the domestic in relation to the self and the photographic, this book offers a unique contribution to both photography theory and criticism, and life-narrative studies.
Book Hero Magic formatted this description to make it easier to read. While it's new and
still learning, it may not be perfect - your
feedback is welcome!
Description
By carefully conceptualising the domestic in relation to the self and the photographic, this book offers a unique contribution to both photography theory and criticism, and life-narrative studies. Jane Simon brings together two critical practices into a new conversation, arguing that artists who harness domestic photography can advance a more expansive understanding of the autobiographical.
Exploring the idea that self-representation need not equate to self-portraiture or involve the human form, artists from around the globe are examined, including Rinko Kawauchi, Catherine Opie, Dayanita Singh, Moyra Davey, and Elina Brotherus, who maintain a personal gaze at domestic detail. By treating the representation of interiors, domestic objects, and the very practice of photographic seeing and framing as autobiographical gestures, The Domestic Interior and the Self in Contemporary Photography reframes the relationship between interiors and exteriors, public and private, and insists on the importance of domestic interiors to understandings of the self and photography.
This book will be of interest to scholars working in photographic history and theory, art history, and visual studies.
Series: Routledge History of Photography
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Empire, Early Photography and Spectacle
James William Newland’s (1810–1857) career as a showman daguerreotypist began in the United States but expanded into Central and South America, across the Pacific to New Zealand and colonial Australia and onto India. Newland used the latest developments in photography, theatre and spectacle to create powerful new visual experiences for audiences in each of these volatile colonial societies. Empire, Early...Paperback$9399Unit price /UnavailableAvailableShips in 4-6 weeks -
Empire, Early Photography and Spectacle
James William Newland’s (1810–1857) career as a showman daguerreotypist began in the United States but expanded into Central and South America, across the Pacific to New Zealand and colonial Australia and onto India. Newland used the latest developments in photography, theatre, and spectacle to create powerful new visual experiences for audiences in each of these volatile colonial societies. Empire, Early...Hardback$34100Unit price /UnavailableAvailableShips in 4-6 weeks -
Photography and Ontology
This edited collection explores the complex ways in which photography is used and interpreted: as a record of evidence, as a form of communication, as a means of social and political provocation, as a mode of surveillance, as a narrative of the self, and as an art form. What makes photographic images unsettling and how do the re-uses and interpretations...Hardback$34100Unit price /UnavailableAvailableShips in 4-6 weeks -
The Domestic Interior and the Self in Contemporary Photography
By carefully conceptualising the domestic in relation to the self and the photographic, this book offers a unique contribution to both photography theory and criticism, and life-narrative studies. Jane Simon brings together two critical practices into a new conversation, arguing that artists who harness domestic photography can advance a more expansive understanding of the autobiographical. Exploring the idea that self-representation...Hardback$35300Unit price /UnavailableAvailableShips in 4-6 weeks -
The Selfie, Temporality, and Contemporary Photography
This book is a theoretical examination of the relationship between the face, identity, photography, and temporality, focusing on the temporal episteme of selfie practice. Claire Raymond investigates how the selfie’s involvement with time and self emerges from capitalist ideologies of identity and time. The book leverages theories from Katharina Pistor, Jacques Lacan, Rögnvaldur Ingthorsson, and Hans Belting to explore the...Paperback$9399Unit price /UnavailableAvailableShips in 4-6 weeks
Book Details
INFORMATION
ISBN: 9780367543402
Publisher: Taylor & Francis Ltd
Format: Hardback
Date Published: 18 September 2023
Country: United Kingdom
Imprint: Routledge
Illustration: 20 Halftones, color; 24 Halftones, black and white; 20 Illustrations, color; 24 Illustrations, black and white
Audience: General / adult, Tertiary education
DIMENSIONS
Width: 174.0mm
Height: 246.0mm
Weight: 500g
Pages: 160
About the Author
Jane Simon is a senior lecturer in photography and film at Macquarie University, Australia.
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