The Data Storytelling Workbook
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The Data Storytelling Workbook
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From tracking down information to symbolising human experiences, this book is your guide for telling more effective, empathetic and evidence-based data stories.
From tracking down information to symbolising human experiences, this book is your guide to telling more effective, empathetic and evidence-based data stories.
Drawing on cross-disciplinary research and first-hand accounts of projects ranging from public health to housing justice, The Data Storytelling Workbook introduces key concepts, challenges and problem-solving strategies in the emerging field of data storytelling. Filled with practical exercises and activities, the workbook offers interactive training materials that can be used for teaching and professional development.
By approaching both βdataβ and βstorytellingβ in a broad sense, the book combines theory and practice around real-world data storytelling scenarios, offering critical reflection alongside practical and creative solutions to challenges in the data storytelling process. These challenges range from tracking down hard-to-find information, to the ethics of visualising difficult subjects like death and human rights.
Book Details
INFORMATION
ISBN: 9781138052109
Publisher: Taylor & Francis Ltd
Format: Hardback
Date Published: 10 March 2020
Country: United Kingdom
Imprint: Routledge
Illustration: 10 Line drawings, color; 132 Halftones, color; 142 Illustrations, color
Audience: Tertiary education, Professional and scholarly
DIMENSIONS
Width: 189.0mm
Height: 246.0mm
Weight: 630g
Pages: 256
About the Author
Anna Feigenbaum is a Principal Academic in Digital Storytelling at Bournemouth University, UK, where she runs the Civic Media Hub, a knowledge exchange enterprise that specialises in data storytelling for human rights, social equity, and health and wellbeing. Anna regularly publishes in media outlets and academic journals. She is a co-author of Protest Camps (2013) and author of Tear Gas (2017).
Aria Alamalhodaei is an independent writer and researcher. She received her Master of Arts in Art History from the Courtauld Institute of Art, London, UK. She has written extensively about science, technology, and art for academic and popular publications.
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